Monday, January 27, 2014

Wake Up, Phil

An excerpt from my review of INTERZONE #250 (TTA Press) here:

image

Wake Up, Phil by Georgina Bruce
“‘If only you knew,’ said Throom. ‘If only you knew how many chances you’ve had.’”
It seems unlikely that the author intended Throom to be a morph of Theramin, but it seems appropriate if she did so, especially in the context of the overall gestalt. The untouchable executive doctor in a corporation, a corporation that vies with another corporation, each seeking the slavish loyalties of its staff. This is on the face of it the clinching satire finale of Stufflebeam’s “I can’t escape my job” opening salvo. It is also a compelling and engaging absurdist narrative that sometimes approximates a painting by Picasso but is mainly a 1950s/1960s SF novel where townships work diligently at their own employments in the face of alien invasion or cerebral counter-clockworlds like Yoachim in reverse, and homely and housewifery things mixed in with the crazy fantasies or with a theramin music backing to various Forbidden Planets to where these wholesome nuclear families travelled to fraternise with robots or replicants or just playmates or puppy dogs,
There is a character in this last story – a writer called Phil – middle-aged and portly and wearing Hawaiian shirts. I hope this is not a spoiler but, for me, and perhaps for me alone, this is Philip K Dick. But there you go – the light bulb’s finally gone out. Good job I had two.
“Built-in obsolescence meant that Callihounds would die after seven years.”

Friday, January 17, 2014

DANDY, MANDY, ANDY & ELENOR


 
Elenor knew she had three dolls that she called Dandy, Mandy and Andy – because, well, she liked names like that, rhyming, flowing like a river. If she had more dolls she would have called them Handy, Shandy and Pandy – but then she remembered that Pandy was Andy’s surname in that old kids’ programme from Fifties TV called ‘Watch With Mother’, something Elenor was old enough to have experienced in real-time.

She was old enough, too, to have dolls to play with again, though she refused to acknowledge she was now entering her own second childhood. Picture Book on Mondays. Andy Pandy, Teddy and Looby Loo on Tuesdays. Bill and Ben and Little Weed and the House That Did or Didn’t Know All about It on Wednesdays. Rag, Tag and Bobtail on Thursdays. The Woodentops on Fridays. Nothing on Saturdays or Sundays. The rest of daytime hours had the Test Card or Welsh speaking programmes – and Elenor lived in England...

Dandy suddenly sat up and said: “Stop daydreaming about the past, Elenor.”

Elenor was startled. None of the dolls had spoken before. Perhaps she was a doll herself, one that didn’t rhyme or flow like a river. Dandy, Mandy, Andy and Elenor. Didn’t really go, did it?

She felt tears pricking at the corners of her eyes. Mandy was now stirring. These were things that were happening that shouldn’t happen - a human being like Elenor being watched by dolls to see if she still moved.

“Are you OK, Elenor?” asked Mandy.

Andy had begun to crawl on all fours towards Elenor.

“Can I do anything for you, Elenor?” he asked. “You look as if you need a hand.”

Elenor strained her eyes to look down at herself. She couldn’t have seen her hands because they were hidden under a cushion as if they were ashamed of being hers. Her dress was down to her ankles and, of course, she couldn’t have seen her face, being behind the face itself – and the angle of the mirror over the fireplace couldn’t reflect her at all, it seemed.

Then Looby Loo suddenly came into the room. And all the dolls froze. They couldn’t be seen to be alive. Maybe the house knew something about it. Its mirror, too. But that was that.

Looby Loo dragged Teddy across the carpet by his ear. And placed him next to Elenor. Except Looby Loo never called her Elenor. She called her Bandy. And when Bandy was tilted in a certain direction, her eyes opened wider to cry but it all spilled instead from somewhere below the dress in whatever direction her legs went. A silent Woodentop with a  river of misplaced tears.

Thursday, January 16, 2014

Mr Rinaldo's Bath

Mr Rinaldo enjoyed having a bath more than anything else he did. He lived in a large Victorian building, where the plumbing wasn't up to very much, full of draughts this time of the year coming through the sash windows and creaking floorboards, and the bath itself was a huge one on rusted claw feet of a larger-than-life mutancy of appearance, and he found it difficult to climb into and even more difficult to climb out of that bath. He often cringed at the brown running lines of yellow or brown that made its once white innards more like the skin of a diseased zebra than anything else.
The hot tap croaked upon turning but did allow in a good flow of scaldingly hot water at a generous, if stuttering, pace. Naturally, he had to ensure that his later turning on of the cold tap worked equally well as the hot one - otherwise he would become nothing better than a boiled lobster, if that's not too hackneyed a phrase to use. The trouble was that the cold tap was not very dependable and often gave up the ghost even before it had croaked. Then, he would be left with a good hour or so sitting on the edge of the bath in his stringy dressing-gown to allow the water to cool to a level hot enough but not too hot. But once in, he was in.
He loved his ducks, he loved the soap he collected in all manner of carved shapes, that would now be blurred by the lathering Mr Rinaldo loved smarming himself all over with. He loved his scrubbing brush, too, now a bit worse for wear, its bristles having become more like the bottom of a newly dredged quarry. But it did set his skin tingling and his teeth on edge simply to look at it and anticipate its first contact with his skin.
The water swished and swilled around him as he luxuriously allowed its warmth to take away any memory of the chill in the air. There was one mystery however that he had never solved. However much he loved creating waves with the gentle pumping up and down of his knees, the waves were never satisfying enough. But he knew a wave would not be a wave at all if it was strong enough to spill water over the edge of the bath. That would be a self-defeating wave. A wave to be a satisfying wave needed to be strong enough to lift up the loose bits of his body but not too strong so as to drain the bath of water. Tonight it was cooling anyway, and he would soon be forced to struggle out, torso turned and knees down to assist leverage.
No, the actual mystery was of a wave that occurred in his bathwater without him causing it. Often he would relax, sprawled out as far as he could, only the barest amount of face left above the water like a nosy island, resisting the onset of the bathroom's chill that the water was now absorbing, and he remained still for at least five minutes, stock still, until he felt the mysterious wave swirl gently over and above him till it splashed across the face with a cheeky slap. He never knew how that wave had generated itself. He often joked that the bath on its outlandish claw feet was actually a living creature itself. But that didn't hold water.

Tuesday, January 07, 2014

Celebrity Big Brother - January 2014

CONTINUED FROM HERE


THIS is where Marion starts her reports about CBB Jan 2014 on a Big Brother thread that has already garnered more than 575,000 views.

Some of my own on-going comments from that thread may be shown below:

7 Jan 14
Agree about even Lionel being infected now himself by sleaze. Horror, too, at the thought that there is going to be another secret room scenario! How does Marion know these things?
There no longer seem to be straightforward loving Sapphics. The modern woman, judging by some of these women, seems to take it from where she can just for fun or as Luisa says 'for a good time' that was spoilt by Dappy's blatant self-fumblings in the bath with them.
This is one of many social lessons to garner from BB, my only excuse for watching this year's increasing sleaze, other than enjoying Marion's reports more, by having watched the programme she is commenting on! :)
Liz, meanwhile, is an interesting Beatrix Potter character.

8 Jan 14
The other HMs mght as well pack up and go home right now. We are in for three weeks of anguished inner turmoil of lee and Jasmine.
Thing is, though, we have one hope. I don't think Jasmine is so much damaged as disturbed. Lee may have bitten off more than he can chew.
Evander was the one small oasis of calm as he quietly read his Bible. I hope thay have supplied him with silver crosses and garlic too.

Brilliant report, Marion, but the programme itself is all rather dreary. But thankfully the sleaze has diminished or been hidden.

10 Jan 14
Marion wrote:
Nominations came next. Sam, Linda, Lionel, Ollie and Dappy were all spared being put up. Jim, Liz, Evander, Luisa, and Jasmine will face the public vote tomorrow. The most interesting nomination was Liz's - she nominated Evander because he doesn't believe animals have souls. Sh's an original!
I noticed Jim called Linda a 'dangerous woman' during his nominations.

11 Jan 14
I agree about Liz. And it is fascinating how she constantly hand plaits her hair when nervous or appears to be nervous, which is all the time. A great game player or someone who is genuinely nervous and paranoiac from experiences in the girls' school playground. She must have inner strengths, though, to be where she is.
12 Jan 14
The row last night between Dappy and Luisa was a classic BB combat and, whether contrived or genuine anger (and here I believe it was genuine), the nature of the row goes beyond the initial substance of its igniting and becomes something the participants can't let go. I suppose that is like not so much rows in real face-to-face life but more particularly those that develop in recent years on-line. The sense of being publicly watched (on BB or, more parochially perhaps, on-line) may have something to do with that modern phenomenon.

13 Jan 14
Marion wrote:
Casey has a face where feelings live, with eyes that empathise.

I actually decided last night that Casey is my favourite housemate and the one I currently hope will win. She has the makings of a wise woman with a wise woman's tones.
I think Lionel regretted his behaviour at the pole-dancing club. Joining in is one thing, but joining in with such filthy relish was quite another thing. I loved the playschool role-plying scene, meanwhile, which took place next door. Another factor that lent weight to my Casey choice.

14 Jan 14
Poor Liz walked into a minefield. She nominated Jasmine for being so beautiful that she made Liz feel suicidal. Later she said that she wanted to say something nice in her nomination. But Jasmine instantly turned a rather weak joke into a melodrama. Her father committed suicide, she said. she wept quite a lot in the toilet, declaring hatred for Liz. Later she spoke of carrying the guilt all her life, that somehow she felt responsible. And now Liz was threatening suicide because of her...
Even later, when Liz was making hamfisted apologies, she piled on more guilt trip. Interestingly, it was reference to her beauty which seemed to irk her more than her father's death. Why, it was just like racism to be nominated on the grounds of an appearance she could not help. Racism. Right, Jasmine. You'e a victim and a martyr.
poor Liz stammered and gulped and talked about her own self esteem issues. It transpires that she is anorexic. Not that that would trouble Jasmine while she crucified Liz.

Above is a remarkable example of the Big Brother interaction between two vulnerable people (aren't we all vulnerable?) telling us a lot about the human condition: sorrow and scorn, unsaid and said thoughts, true and untrue intentions - quite beyond the fauxmances and the silly games.
Meanwhile, I never liked Jim as a comedian. But I like him now.

15 Jan 14
I think Casey tries hard to ignore the Lee and Jas shenanigans, whether real or fabricated shenanigans. I have been interested by the word 'disrespect' especially when used as a verb, as many BB contestants have used it over the years, as Casey did about that couple 'disrespecting' her. It uniquely combines a common-as-muck and sophisticated tone.
I loved the 'annoying room' concept and congratulations to the BB backroom people for constructing it. However, the 'democracy' game itself was boring and silly.

16 Jan 14
The best thing Jasmine ever did. Lateral thinking at the last literal moment.

17 Jan 14
A significant show last night. I think Lee is claiming that Casey - off-air when they were quasi-evicted outside the building - scolded him for not playing the show-mance game. Well, it's one word against another, and Casey looked genuinely aggrieved at hearing what Lee had been saying and she seemed to feel genuinely combative about it while Lee looked desperate. The gap in her front teeth is, by the way, her biggest asset.
As to the late Frank Carson's dressing room - well, it will now go down in show business history as a sort of crossover point of all ley-lines. Its mere mention carried by Luisa from Jim to Linda, I guess, was dynamite for this whole show. We shall see.
It seems that Jasmine's Choice of the Saved (Casey and Linda) were two central pivots in Things to Come.
I expect Liz will go tonight. The Goth of Gossip will then return to her confessional columns in the real outside world and she will now have plenty to write about. Hopefully she will have input on what went on in Frank Carson's dressing-room or, at least, what it symbolises for Adam Weishaupt and the Illuminati.

18 Jan 14
Well, Jim apologised, as he should. Back in the running now.
Casey has been fauxmance-framed. Or Lee has? Lionel (who I was surprised to see go) thinks Lee is the injured party. But as far as I can see it is circumstantial evidence and perhaps we will never know. I certainly prefer Casey to Lee!
Dappy is dappy, after all. Luisa too clever by half.
Meanwhile, who is Sam?

19 Jan 14
A torrid, 'Decline & Fall of the Roman Empire' type of night last night. The only consolation is to read Marion about it all, outshining Liz Jones and Edward Gibbon in every way.

20 Jan 114
Marion wrote:
  Liz had to judge the house fashions and some of her comments were priceless - the bedroom is like an explosion at Primark. .

Liz actually said 'an explosion at a Primark factory' -- and also that Luisa's hair extensions meant there are 'now a lot of bald Indian women walking about' or words to that effect.
This could be seen to be highly offensive! And someone has already mentioned this:  https://twitter.com/TVpsychologist/status/425015296014172160

Luisa's nipple-lobe bling - well, I wondered why I was watching this tonight. Jim to win.
(I liked the acting by Ollie and Sam - the first time I've really noticed these two contestants).

21 Jan 14
Marion wrote:
But the Queen of the evening was much despised Liz. She was in the bath when Luisa approached her, tasked with making Lz laugh. But Liz would only talk of her dead cat, dead of fluid in the lungs and all her fault for neglecting him. Luisa was sympathetic at first but clealy thought it was all nonsense. Liz went on to discuss her anxieties - her Mum might die while she was in the house; she might drive into a tree if she had a car; her body dysmorphic disorder; her boyfriend probably off with another woman; she's full of tears; she might drown in the bath...all delivered in perfect deadpan. She was like an Alan Bennet Talking Head. Oh, Liz is much underestimated! That was the funniest scene of the series.
Luisa wanted to drown her in the end.
Luisa couldn't get a joke in edgeways and was caught of balance by the litany of woes. [...]
I wish so much that Liz could be saved on Wednesday. She is clearly an acquired taste and we are only just beginning to 'get' her. I am even wondering if that tale she told about being a virgin till she was 32 was true - the deadpan expression so evident tonight was present then.

Indeed. She made it known that she has 69 million readers!
I agree, too, that Liz's speech in the bath was the funniest thing in the series, if not in the whole of BB ever! (Luisa, bless her, was a brilliant stooge in this regard, whether she had already sussed the whole nature of the task or not).
22 Jan 14
Luisa had a moment of truth. On viewing the house, she came to realise that while she likes Linda, Linda comes across as a bitter moaner; and whie she doesn't like Jim, he is far funnier and entertaining.
Jim talked again about Yewtree and what it had cost him - Luisa saw that Linda just wasn't buying his tale ,confirming Jim's point that some people would always smell smoke as far as he was cocenred.
Interesting moments, but I found the whole Arctic task boring.
Meanwhile, I'm wondering if Liz's deadpan pronouncements have ever been serious since day one. She should win if she's got 69 million readers as she claims. They're all probably dogs, though.

23 Jan 14
Marion wrote:
Luisa and Dappy were pulled up for talking nominations and were sent to clean the bathroom fastened in together in a twinsie. It was remarkably unfunny although they tried to spice it up by accusing one another of imnappropriate touching. Been there, seen that, done that.

I don't think it was as simple as that. BB have turned a blind eye to nom talk until now. This was an excuse to get them into a twinsie because they sense Luisa is desperate not for love but for sex. And Luisa then became, on the face of it, a female sexual predator, because Dappy indicated he didn't like being touched 'there'. This was an experiment (intentional or not by BB) that might have shown that women predators can be worse than men ones, but women tend to get away with it, when neither should get away with it, of course. This was later borne out to some extent by the others talking about getting them both alone together in a room to quench Luisa's appetite for what they called "Dappy's D**k".
We weren't shown much about the twinsie incident however, and I may be wrong. A bit like the piecemeal, partial presentation of Hazel and Daley last year, except this was ostensibly a bit lighter-hearted than that...

The show reached a peak with Lz giving the litany of woes in the bath. We xhall not see the like again this seies. There is a definite Fall of Empire feeling abroad, a whiff of fin-de-siecle. Thje brightest part of the show was the re-run of the bath scene during liz's eviction.

Agreed.

24 Jan 14
I've never liked Ollie, from what I've seen of him. I do like Sam, although she hasn't tried hard enough to project herself over the whole show. Or perhaps that's a good thing? Yes, that's a good thing.
I like Jim, too, and Dappy.
Noticed Dappy nommed Luisa. A sadness has arrived in that relationship...
I've gone off Casey.
Never liked Linda or Lee. Yes, Marion, both to go tonight.

25 Jan 14
Not sure I really like any of them. Marginally, Jim as my favourite, but if I could have heard myself say that before I saw him on this BB show, I would have been astonished! (He is dead right about Linda.)
Sam as second favourite. She does have some style, but it's a style that's so sleek it slips through the bars of personality like an amorphous half-spectre.

26 Jan 14
Classic Marion reportage, thanks. It certainly helped keep me up to speed as I unavoidably missed last night's programme.

27 Jan 14
I thought at first Emma gave Lee a hard time in the interview, but by reviewing Marion's report of the facts, I sense that Emma probably didn't give him a hard enough time!
The frozen moments of the room's visitors moving and talking in a time-stream while the others became bound-by-a-moment-like-a-dead-monument-of-once-ancient-hope seemed very Dickian SF. Pity the frozen ones couldn't be more frozen and that they hadn't surreptitiously adjusted their bodies' comfort points after the clock struck.

28 Jan 14
Yes, generally this has been a fascinating, if sometimes worrying for society if these are celebrities, type CBB. Better than I expected and better than most previous series. One learns more from these things about fiction and truth than we do from much literature. Still, I prefer books, if leavened by such wonderfully eye-opening, eccentrically-'typoed', non-book excursions with Marion as guide. The awesome Alsiso of our times.
Two nights to go, and Jim to win.

29 Jan 14
A bunch of crab apples fallen off a tree that still think they're apples good enough for Tesco.
(later)
Jim's the winner, as he should be. An enjoyable, frustrating series. Thanks, Marion, as ever. The Alsiso Whizzo!

BB SUMMER 2014 CONTINUED HERE: http://weirdmonger.blogspot.co.uk/2014/06/big-brother-summer-2014.html

Friday, January 03, 2014

The Broodband

I arguably coined these words and expressions: ‘zeroism, egnisomicon, egnisism’ in conjunction with PF Jeffery (1967), ‘whofage’ in conjunction with PF Jeffery (1973), ‘agra aska’ (1983), ‘weirdmonger’ (1988), use of ‘brainwright’ in modern times (1990), Salustrade (1992) use of ‘yesterfang’ in modern times (1997), ‘wordhunger’ (1999), ‘nemonymous, ‘nemonymity’, late-labelling, veils-&-piques’ (2001), ‘denemonise’ (2002), ‘megazanthus’, ‘weirdonymous’, ‘chasing the noumenon’ (2003), ‘wordonymous’, ‘wordominous’, ‘the-ominous-imagination’, revelling in vulnerability (2004), ‘a woven fire-wall of words’, ‘the synchronised shards of random truth and fiction’, ‘nemoguity’, ‘vexed texture of text’, ‘fictipathy’, ‘nemotion’, ‘the hawler’, ‘the angel megazanthus’, ‘klaxon city’, ‘horrorism’ when used as a word for the philosophy of horror fiction (2005), ‘publication-on-reading’, ‘antipodal angst’, ‘the tenacity of feathers’, ‘a writer’s mandala’, ‘wordy weird’, ‘nemophilia / nemophobia’, ‘magic fiction’ as the obverse of the more common expression ‘magic realism’, ‘weirdtongue’ as the ‘name’ of a language, ‘Glistenberry’ as an alternative name for ‘Glastonbury’, ‘tonguage’ as a ‘conscious’ language, ‘yester-eggs’ as a term for Proustian ‘selves’, ‘the parthenogenesis of reality from artifice’, ‘all is for the pest in the pest of all worlds’, ‘Baffles’ as fables with muffled morals (2006), ‘fanblade fable’, ‘abutting the if’, ‘word clones / word clowns’, ‘bumps for books’, ‘rite of review’, ‘cone zero’, ‘a basket of coinages’ (2007), ‘small press cover ark(ive), the baser pulps’ ‘orrorfaces’, ‘the wheel culture’, ‘netogenic’, the first fiction about a ‘drogulus’, ‘Innerskull’, ‘meganthus‘ (2008), ‘CERN Zoo’ in literature, ‘Real-Time Reviewing‘, ‘ligottum‘, ‘the pit and the pessimum‘, ‘ligottus‘, ‘fubbcuckle’, ‘extraneity creep’, ‘pillowghost’, ‘intowards’, ‘powderghost’, ‘nightmare’s moat’ (2009), ‘THE TENSES’, ‘scream munch’ as another word for ‘captcha’, ‘skight’ – threepenny bit, ‘invitations from within’, ‘novellatory’, ’Ress’, ‘Venn Dreams’, ‘Tearsheet Doll’, scanbuncle, A Götterdämmerung of Guts , Holistic Horror (2010), SFtopia, Salustraders / Overspacers, Novellarette, Inquel, Gaddafery, Jungian autonymity, sudracide, an impesto novel, trendbaffler, our planet as reliquary, fictionatronics, Lovecraftianisation, “To know the worst is also to know the best“, vignellarette, “Nothing is controlled by logic other than logic itself.”, nightgators, Horror Genreators, dicksplay, roman littoral, ghostalt, poltergeistalt, horrasy, Horrasy: The Horrastic and the Heuristic, srednibution, srednidipity, Lovecraftian indescriptivities, bememorise, alephantiasis, reva-menders, metapomorphic, rarifiction, neoloquism, Was the God Particle born instable? (2011), angelivalent, literal-meaning dreaming, the ‘Higgs boson’ of Horror, The Weirdonomicon, Aickmania, shortcomings harnessed are stronger than strengths unused, privacy-trawler, disarming strangeness in connection with Robert Aickman, Fiction is like currency: belief is everything, oblique concomitant / oblique contaminant, age at the edge, A writer should make clouds shine even if the world’s sun has gone, The Call of the Silly, pastilential, eschairtology, e-born, read-tangler, ghorror, the authorial cloud, grosmance, quixotiose, most placating is playacting, ‘friendly fire’ fiction, dilemmachination, absurface, aeontonomous, HobbYiSt / Hobbit, aeontonomy, Horror Without Victims, fuckerlode, Earkth, Pronoun Horror, The Ives of November, PreMonday-ition, NoV – No Victims, an amid-life crisis, God created Ground in His own image by adding ‘run’ to His name, Old boots are always better than no boots, truth is never brash, End tring, Tendring is Trending, HorNET Nest, The empty future expects our arrival soon, if you fit, wear yourself, The Worldwide Cliff (2012), quantitative kamikaze, The Ohm Resistor of Literature, Only real books can be left anonymously on chairs, The Sibling Thing (as monster), lachrymonics, Cold Sororist, Gangster Gongsters, Cathrian, Cathrianity, Cathrechism, the optimum delusion, dogstone as a form of ‘found sculpture’, iDEATH as a form of internet implosion of self, Judge me on my works, not on my request thus to judge me, dyschronous recurrence, Belarhombus, the Palimp’s Zest, abseil-surdity, paradoxilogically, Devolved Fiction, fratrinity, bock-hide, the Ligottian lurch, denouement or deligottiment, Does a Seraph suffer from Harpes?, AickMANN, RTRcausal, irrealoscopic, a Myth Pitch, Versionary SF, pallianthology, Historation Comedy, Holy Grailtrack, Born Ancient, Bringing the Dead to Book, urbographical, genius tempus, sabbaticess, the life-insider, the God in the Goblet, tsunami of humani (2013), broodband (2014).

Sunday, December 29, 2013

Vocative


VOCATIVE

 

MACHINE! MACHINE! MACHINE!

 

I WAS CALLED BY A NAME I DID NOT HAVE – BUT I KNEW I WAS THE ONE SO CALLED. I SENSED A CHURNING TRACTOR BEHIND ME, AS DRIVERLESS AS I WASN'T. ITS DEEP-RIDGED WHEELS WERE NO DOUBT TALLER THAN THE TOP OF MY ROOF-RACK ­YET THEIR TREADS SPUN UPON THE SOFT VERGES AS IF THEY WERE IN A FRICTIONLESS WORLD, RATHER THAN CUTTING THROUGH THE SUBSTANCE OF OUR GOOD EARTH. BUT, OF COURSE, OUR WORLD HAD MORE FRICTION THAN FICTION - AND MY DRIVER PUMPED FIERCELY AGAINST THE TENDER PRESSURE I HAD GIVEN HIM WITH MY PEDALS. THE VARIOUS TORQUES AND FUGUES OF MY WHEELS THUS TOOK US ROUND, A THREE-POINT TURN ON A SIXPENNY BIT, AS IT WERE - AND WE FACED THE TRACTOR. HOW NATURAL IT HAD BECOME TO REFER TO THE DRIVER AND MYSELF IN THE FIRST PERSON PLURAL JUST AS THE SIGHT OF THE TRACTOR (OR ITS ARTICULATES OF METAL THAT MADE THE MACHINE) FORCED US TO HOPE THE WORLD ITSELF WOULD NEVER STOP SPINNING - SINCE THINGS LIKE THAT TRACTOR WOULD MAKE A FINE OLD MESS OF PLOUGHING UP SPACE AND UNPEOPLING HEAVEN.

 

GIDDY-UP! GIDDY-UP! GIDDY-UP!

Nigel & Mary & The Vase


NIGEL & MARY & THE VASE

by DF Lewis

 

 

“The Playwright’s shy, gracious wife would have placed vases of flowers through the house, including the guest bedroom.

‘Flowers make people feel welcome. Like they’re wanted.’

 He was filling vases with water...”

from ‘Blonde’ by Joyce Carol Oates.

 

========================================

Scene: A large room, well-furnished in a retro-Fifties style, with a  panoramic window overlooking a distant airport beyond a sea of rooftops. Nigel and Mary are preparing vases of flowers in various strategic positions. They appear to be preparing for a large party, fancy-dressed as film stars, Nigel as Marlon Brando, Mary as Marilyn Monroe, in their heydays.  They have not yet started acting their parts.

 

Mary: They’ll all be here soon.  Flowers make people feel welcome. Like they’re wanted.

 

Nigel: I wonder who Joyce will come as?

 

M: She may not even remember.

 

N:  I often think of games we can play.  It’s no point just talking to some of them. They’re awfully boring people, even when playing their roles.  What games can we play?

 

M: I’m more concerned with getting everything else right.  Like the food... (she makes as if to depart off-stage).

 

N: Wait! A charter plane’s landing. That must be them.

 

M: That damned place is getting busier and busier. Traffic control must have the devil of a job.  And the planes since we’ve lived here seem to be getting bigger and more modern, as well as more frequent.  If we jump ahead, I reckon they’ll be having spaceships landing there, shuttles and rockets with cones and fins.  I often dream of things like that landing there.

 

N: Yes, I’ve noticed you tossing and turning lately.

 

M: Yes, dreams seem more than the sleep they fill.

 

N: That sounds like a quote! You’re not supposed to be Marilyn yet, Mary!

 

M: Ooooh, Meester President. (She laughs  and leaves for the kitchen)

 

N: (Noticing she had left but talking as if she were still present and as if to give excuse for performing a sort of  confessional soliloquy...). I think we are nearly ready. Just a few more flowers.  Any more gloxinia? What is this vase I see before me? (He picks up an as yet empty vase). What games we two play?  I know how we can pass the time when they all arrive.  Give out our guesses to the guests as to what sort of fish or sea-life each film star represents.  ‘Caught on the Waterfront’! That’s a good name for the game. If Joyce comes as Joan Crawford, I reckon she’ll play her like a shark. George as a raft.  (Laughs). Me? I’ll be a monkfish playing as if plugged up by fisherman’s bait.  You, Mary.  I reckon you’re Moby Dick.  Your big white body ever hunted through the dangerous seas of filmdom.  Yes, I’m really rather pleased with that vision of your film star .... what shall we call it? ... that symbol of you, Marilyn.

 

M: (Returning with a plate of nibbles). What’s that you saying, Nigel?

 

N: Just rehearsing a game.

 

M: What game?

 

N: A fish game.  Comparing fish and sea creatures with film stars.

 

M: Sounds silly to me.  By the way, do you remember Monkey’s Walk?

 

N: That’s a bit of a ‘non sequitur’, isn’t it?

 

M: Not really.  It was sort of like catching fish. We first met along Monkey’s Walk, of course.  Each Sunday morning, young people would promenade along Monkey’s Walk simply to meet up.  Many marriages started from walking along Monkey’s Walk on a Sunday morning.  They don’t do that any more.  They don’t need to cuddle in the back rows of cinemas, either.  Kids these days don’t need excuses.  They just pair off as soon as look at each other. 

 

N: Its real name wasn’t Monkey’s Walk, was it?  Why did we kids call it Monkey’s Walk? I can’t remember.

 

M: A sort of tradition.  It went back years.

 

N: Mmmm.

 

M: I think your fish game is a bit silly. 

 

(It is darkening outside the window. The flashing lights intermittently bloom and lessen as each plane takes off or lands).

 

N: I bet Clive will come as Robert Mitchum. Dodie as Bette Davis.

 

M: Can’t think of fish for them.  ....  Have you finished the vases?  Why are you holding that empty one?

 

N: Hmmm. A bass and a rayfish?

 

M: Do you mean a crayfish?

 

N: You know, Mary, you used the word ‘cuddle’ just then.  I like that word.  Seems just right for Marilyn to use, but you’re not Marilyn yet, are you? ... I think I need one of those cuddles now.  Before the others come.

 

M: What, here? You’ll need to pull the blinds.

 

N: It’s more exciting here than in the bedroom. (He pulls the blinds).

 

M: Wait till I’ve done this vase. (She takes it from Nigel). Well, I don’t know, I think we’ve used up all the flowers.  I’ll have to put this one back in the cupboard. 

 

(They pull together, the vase between them, and cuddle standing up. A huge flash abruptly comes from behind the blinds, followed by an enormous roar).

CURTAIN

 

=========================================

 

"She was so earnest, saying, 'It's so scary, how a scene with actual people just goes on and on? Like on a bus? What's to stop it?' And, that wistful little-girl look in her face. 'D'you ever think how hard it is to figure what people mean when probably they don't mean anything? Not like a script. Or that the point of something happening is when probably there's no point, it just "happened"? Like the weather?' [...] ... like they were two kids together in this predicament maybe fifteen years old somehow waking up married. In that instant her body seemed to him not a woman's beautiful voluptuous body but a responsibility they jointly shared, like a giant baby."

From ‘Blonde’ by Joyce Carol Oates

Misfortune


Misfortune

 

There are quirks and misalignments of nature – mismatches of mind and muscle – lumps of gristle erupting from the unlikeliest of mental and biological processes – with various unsightly excrescences – all by-passing that one optimum moment of non-existence.

The furtherance of such motivational blobs of existence has an inverse ratio to he geometric progression of such theoretically untenable creatures actually re-creating themselves.

And that would lead me to hypothesise that people are their own mistakes, if I had the misfortune of possessing a bodily and mental existence of my own which could thus hypnothesise.

Saturday, December 28, 2013

Smart Suit Day

If, indeed, I could explain the day itself, nestling as it seemed between Monday and Tuesday, I'd be a normal man - or a more normal man, able to return, in his smart suit, to his 9 to 5 office job. I was due in North London for a business meeting, one of the few that I'm now asked to attend - in contrast to a few years ago when there were many more, all over England ... but for some reason, there's not so much call these days for me to make visits outside the office. Being early (as was my wont) and not knowing the area at all well, I decided to rest my weary bones in Highgate Wood quite close to the venue of the meeting. 

This wood turned out to be a delightful green oasis of towering trees and twittering birds in the midst of relentless roads and gaping undergrounds - and as I settled down upon a bench, I could still hear the traffic on Muswell Hill Road ... a noise like some outraged (or outrageous) God muttering at my escape from his jurisdiction. 

The day was Monday. I'm certain the day was Monday ... except. an hour later, after I emerged from the secret garden (for that was how my mind had idealised this retreat) and following my typically apposite arrival for the meeting, I was informed by an officious receptionist that I had missed the meeting by one whole day. Indeed, once upon a time, there was a wood in the middle of a city which, for a specific day each year, had a sabbatical from time. It was forced to have this Awayday, since life in the city was otherwise unbearable. Thus, God allowed the wood's spirit-of-place to become an annual oasis of non-existence, where not even trees nor birds could disturb the peace let alone His own self-confessed grumbling attentions to its natural processes. 

Unlike death, which is probably the longest holiday of all, this day-break into nothingness could spruce up the trees and woodland paths, harmonise the birdsong and remove the litter which the local council had missed. Death, on the other hand, being the mother and father of a day-off, served very little purpose in itself, only encouraging those who believed in reincarnation to come out of the woodshed and prance about in smart birthday suits. Which is why, I suppose, they put me away. It wasn't because I was 24 hours late for the meeting, nor even for my strident shouts of "Blessed Be The Traffic And Its Wardens" - but the fact that I didn't have a stitch on (or in) ... even my wristwatch having disappeared (and my fingernails). All I can do is look forward to a sabbatical from madness, I suppose. 

The Teapot Moved (2)

When the teapot moved not once but twice, you realise that the first time it moved could not have been as imaginary as you had originally imagined, given the evidence of the second time.  You have often been in situations with inanimate things moving where there is no obvious cause for the effect. All to do with mirrors, lights, angles, tiredness. Nothing supernatural or psychokinetic. Only you watching.  But when it happens out of the blue, you often take a double-take.  Did it really move?  Probably not. It would take a ruler to measure any give or take in the situation.  But if it moves as a result of you looking at it, even without you consciously willing it to move, it becomes obvious that there are strange happenings abroad.  The darkness settled in early, despite the clocks going forward an hour the day before.  You wonder if it's a clotted cloud formation, rather than the leading edge of night's blanket being used to make your bed, tucking you in as comfortably as possible so that premature sleep might explain any subsequent dreaming.  And, surely, you thought, the act of seeing the teapot move on the tea-table before the dream started would surely make you wonder if you were dreaming that you were awake.  The window was now blacker than if you had painted the glass with an opaque gloss stolen from a dead person's cupboard.  Night was never that dark, was it?  The bulb hanging from the kitchen ceiling didn't even swing. It was stock still. But it was dimming faster than the sun must have done in the last few minutes.  Dimming, however, was not a movement as such; dimming was never as strange as an object like a teapot budging of its own volition. The stewed remains within settled into a coagulation of leaves and black space. There were exactly one thousand tealeaves and you wonder who had taken the trouble to count them into the teapot before pouring over the scalding water. It needed other eyes to see what was happening inside the pot, as yours were busy watching events from outside. One single abrupt jolt, and the first movement was complete.  You only now needed  with the requisite suspense  to await the second movement ... except you were unaware that there was due to be a second movement, especially as you thought you had merely imagined the first one.  You decided it was time for bed. You pray a thousand prayers to a God addressed as thou or thy or thee.  You must have assessed the passing of time differently from its reality.  And if time is misjudged, you were unsure that the time correcting itself might cause objects to move, as if you had moved the teapot during the period of time that had now been blocked or short-circuited so as abruptly to change dusk into night.  You were now found to be in your bedroom, not the kitchen, pulling back the blanket ready for your body to be finally laid to rest.  Steeped in sleep, infused with dream, cosied by darkness, motionlessly reaching out for a silent prayer that you ached to pray but couldn't. Wedged in by a sodden mass of dead insects which, even beyond a dream's unreason, were still alive and eager to become your single-minded stew of consciousness - a spout for a thousand thoughts or a thousand thous. Dead ... until I moved.
THE TEAPOT MOVED

The stranger wondered if the rest of the hotels users thought he was a stranger.  The rooms were of a style suitable to the passing trade so in fact all the guests should have been strangers.  This particular stranger was no different.  One never considers oneself to be a stranger. All the others were strangers, surely. The others were real strangers inasmuch as they were not only strangers to each other but, strangely, to themselves. 

The stranger was without a name, although he could remember signing the guest register at the reception desk earlier in the day.  Now being nameless was not a good sign.  Perhaps he was a stranger, after all. Just like the rest of them: sitting solitary in his bedroom: dependant on room service and the entertainment from the TV and the use of en suite facilities and the trouser press.

He hadnt taken advantage of room service as yet but he continued to inspect the tray of free goodies alwaysleft by good hotels for weary strangers with which to refresh themselves.  A few individualised bags ofinfusable tea or coffee. Scattered tabs of milk or sugar. Wrapped gingernut biscuits. Strangely, for such a set of freebies, a bone china teapot was set upon the tray: to be used for steeping rather than just a teacup directly open-mouthed for a tea-bags dunking. An electric kettle was already full of water.  He wondered how long it had been stagnating there.  He could see the only source for water was from the sinks cold tap in the bathroom.  Strangely, despite travelling all day with few comfort-stops, he had not yet been forced to use the bathrooms facilities.  He shouldnt have been surprised.  Only true strangers would be unaccustomed to the relative strength of their own bladders.

The red glow of an advertising sign just outside his rooms window was relentlessly pulsing.  Strangely, thewindow possessed usable shutters rather than curtains. Strange for England. He stood up and stared down at the citys main-street. Despite it being the rush hour, there was very little traffic along it.  Only an odd taxiturned up outside the hotel with guests: more strangers, no doubt.  He shrugged.  He was determined not to slip into being a stranger himself.  It would be all too easy to become someone elses stranger, a person who simply shuffled about a hotel bedroom at a loose end, listening for others behaving similarly, given thesufficient thinness of the walls between them

He returned his attention to the tray of freebies.  He had already given a cursory glance at the room service menu, but he was always reluctant to use it. It always made him feel self-conscious and slightly awkward.  He never knew what to do with the dirty plates after he had eaten.  Whether to give a tip or not.  Despite having plenty of money, he always resented paying through the nose simply for a waiter to bring the food to his room.  Neveralwayshe couldnt possibly be a stranger to be able to use such words about his general behaviour and feelings.  That rather satisfied him. Maybe he would venture downstairs later to see if he could find the hoteldining-room.  There was no reason, of course, why he would not be able to find it.  But there was always a doubt.

He then heard the stranger next door shuffling about.  Having been sitting on the bed, the stranger next door was probably visiting the en suite bathroom.  The TV next door could not be heard through the wall, so it was probably still switched off.  Possibly for fear of accidentally igniting the Porn channel rather than the News one. The former made him feel dirty.

Dirty reminded him. He needed freshening up in the bathroom.  he hoped it would also be full of freebies.  But nothing was really free, was it?  Room rates always included overheads.

When he returned, the trayful of freebies was glowing more readily in the onset of dusk from outside whilethe advertising pulse continued but at a slower shutter speed. He suddenly saw that the teapot had been moved.  Never had the stranger been so frightened before.


 
When the teapot moved not once but twice, you realise that the first time it moved could not have been as imaginary as you had originally imagined, given the evidence of the second time.  You have often been in situations with inanimate things moving where there is no obvious cause for the effect. All to do with mirrors, lights, angles, tiredness. Nothing supernatural or psychokinetic. Only you watching.  But when it happens out of the blue, you often take a double-take.  Did it really move?  Probably not. It would take a ruler to measure any give or take in the situation.  But if it moves as a result of you looking at it, even without you consciously willing it to move, it becomes obvious that there are strange happenings abroad.  The darkness settled in early, despite the clocks going forward an hour the day before.  You wonder if it's a clotted cloud formation, rather than the leading edge of night's blanket being used to make your bed, tucking you in as comfortably as possible so that premature sleep might explain any subsequent dreaming.  And, surely, you thought, the act of seeing the teapot move on the tea-table before the dream started would surely make you wonder if you were dreaming that you were awake.  The window was now blacker than if you had painted the glass with an opaque gloss stolen from a dead person's cupboard.  Night was never that dark, was it?  The bulb hanging from the kitchen ceiling didn't even swing. It was stock still. But it was dimming faster than the sun must have done in the last few minutes.  Dimming, however, was not a movement as such; dimming was never as strange as an object like a teapot budging of its own volition. The stewed remains within settled into a coagulation of leaves and black space. There were exactly one thousand tealeaves and you wonder who had taken the trouble to count them into the teapot before pouring over the scalding water. It needed other eyes to see what was happening inside the pot, as yours were busy watching events from outside. One single abrupt jolt, and the first movement was complete.  You only now needed  with the requisite suspense  to await the second movement ... except you were unaware that there was due to be a second movement, especially as you thought you had merely imagined the first one.  You decided it was time for bed. You pray a thousand prayers to a God addressed as thou or thy or thee.  You must have assessed the passing of time differently from its reality.  And if time is misjudged, you were unsure that the time correcting itself might cause objects to move, as if you had moved the teapot during the period of time that had now been blocked or short-circuited so as abruptly to change dusk into night.  You were now found to be in your bedroom, not the kitchen, pulling back the blanket ready for your body to be finally laid to rest.  Steeped in sleep, infused with dream, cosied by darkness, motionlessly reaching out for a silent prayer that you ached to pray but couldn't. Wedged in by a sodden mass of dead insects which, even beyond a dream's unreason, were still alive and eager to become your single-minded stew of consciousness - a spout for a thousand thoughts or a thousand thous. Dead ... until I moved.



I sat up beside the teapot. It had been placed there by a servant and Id been told to let it stand for a few minutes.  Steep? Infuse? Draw? Brew?  No, stand was the word I was sure I heard the girl in the pinafore say as she plumped the teapot down on my bedside table  rather rudely, I thought, in hindsight.  
  
And now I noticed shed forgotten to leave the tea-strainer with the cup, saucer and teaspoon.  I called out: "Strainer!" in my long drawn-out high-pitched voice which Im sure the servants found irritating, but I had not told the servant girl to forget something, had I?  Indeed I wondered if she had forgot it at all but deliberately didnt bring it.  Again: “Strainer!”
  
It was then I noticed the teapot moved.  Only slightly but clearly enough.  I was staggered. I stared at it to make sure I was not mistaken, willing it to move back to where it had moved from, in an illogical hope for its previous standing as the status quo. I might then have been able to imagine it had not moved at all. 
  
A teapot moving of its own volition was certainly an anxiety that a bedridden person like me would find difficult to cope with.  It was best I did not believe it at all.  “Strainer!” I shouted again, in an attempt to cloud my misperceptions with a recognisable routine rather than to elicit the missing strainer.  This was not the first time that the strainer had been forgotten.
  
“Stop your whining!” the teapot suddenly said with a righteous gurgle of its innards. 
  
“Pardon?”  I said automatically, thinking that the servant must have returned with a different voice.
  
“Just stop your whining. The stew Ive got inside me today doesnt need straining.  Get on with the pour!”
  
I was more upset by its distasteful reference to stew than by the fact the teapot was talking to me at all. This represented more of a certain settling into a customary mindset of denial, I suspect, when I now look back at the events.  I had also forgotten that the servant girl had forgotten the dunking-biscuits.
  
Was there a ghost inside the teapot  a ghost capable of moving it as well as speaking for it?  This was not a question that occurred to me at the time.  Only since.
  
I put the eiderdown over my head, hoping to blot out not only this single segment of time encompassing the teapot incident but also the whole of reality itself now and forever.
  
But the voice persisted: “Ive got good quality stuff inside today and the longer you leave it the more it will stew.”
  
My head re-appeared over the top of the eiderdown like a bedraggled puppet or worried clown. It was easy to imagine myself as this downbeat figure through lack of any mirror in my room.  Only the tiny curved bowl of the teaspoon gave any chance of a reflected image.
  
The spout of the teapot waved in the air like a tiny snake with, I imagined, a certain wild desperation to perform its duty of pouring: its only reason for existence.
  
I hastened to do its business. I cant now understand what possessed me.  I picked up the teapot.  At least it could not now move of its own volition without me feeling it wriggling or twitching in my hand.  I thought that pouring out tea  a generally tasteful art-form of upper class people like me  would expunge any remnant of uncouthness in the creature that I had earlier considered as out of my control.  Civilisation is all to do with control.  Taste and good breeding, too.
  
But instead of a golden shaft of healthy infusion, the spout exuded a syrupy blood-like substance into the teacup.  I heard myself cackling with uncontrollable delight.  I snatched up the teaspoon in haste.  But it dropped to the floor.  My head wagged from side to side like a funfair target and shouted: “Dunk it!”
  
I had obviously let things stand too long. Theyre still standing now: waiting for hindsight to kick in  or waiting for a dream strainer.


When I met him, I saw straightaway that he was full of story.  It was as if he existed simply for the benefit of story.  No point in describing him, as that would take away from the story. And he did tell me story after story, when we sat together, draining a bottomless teapot.  
  
And before I forget, there is not much point in describing me, either. 
  
I was only there to listen.  And, well, to drain tea. 
  
One story that still sticks in my mind (literally) was one he told of when he was employed as a chauffeur in Paris.  Well, I assume it was about him.  But whether it was him or not, it was only a story, after all. 
  
  
  
  
“I had been without work for several weeks, and was coming to the end of my money in the last cafe under the last Parisian sky of (what now seemed to be) my last sojourn in the city drinking the last cup of tea that perhaps I would ever drink in France.  The French frowned on tea, but I managed to find where they brewed it best.  I preferred it to any other sort of drink.  So it was with mixed feelings that I accepted a job that entailed driving a car and drinking something other than tea. But I would now be able to stay in Paris a little longer.  The man had sat down opposite me at my table as I drained the dregs of my cup on that (what had seemed to be) my last day in Paris. It was like Fate.  I was to drive a Princess.  Why me?  Well, he said it had to be me.  I fitted the story.  But I must drink alcohol quite a bit of the time, he insisted.  That was part of the job.  I shrugged.  I didnt mind drinking alcohol so that I could later afford to drink tea in Parisian cafes.  Sitting pensively in Parisian cafes drinking tea gave me inspiration, led me to all sorts of creative thought for my next story.  So, to cut a long story short, I allowed myself to take to heavier drinking while driving the Princess to fashion shops and to cafes where in fact she drank tea, I noticed.  I didnt much like the company she sometimes kept.  I also turned a blind eye to the baggage she carried. I am not one for gossip.  Only story-telling. Well, on the big day, I needed to drink several hard drinks before taking the Princess on a trip that, unlike the previous trips, was more of a mystery tour. I can tell you that, even with alcohol in my veins, I am still a very good driver.  So when our car managed to crash in the road tunnel, it was not that I lost control for no reason, but I suddenly saw a little girl bowling a hoop across the road in the tunnel, and I swerved to miss her...” 
  
  
  
I put my teacup down and stared at him.  
  
“A hoop?” I said. 
  
“Not really,” he said with a smile, “that was only part of the story.” 
  
And I blinked.  He was no longer sitting opposite me.  I must have been drinking tea with myself.  The little girl in the tunnel, perhaps, was the ghost of the Princess; a happy creature that wished shed never meet a Prince.  But then without such a meeting, of course, shed not have been a Princess at all or, if that were the case, even the ghost of a Princess.  I poured another cup from the bottomless teapot and stared into the darkening Parisian sky.  A faint circle of stars like a distant UFO slowly wheeled behind the clouds.