Thursday, November 30, 2023

HOLE by Robert Stone / LET’S HANG OUT by Charlotte Turnbull

 




HOLE by Robert Stone

“There was a sweet smell too. […] It was pudding-soft here.”

…the arguable sinkhole that has suddenly appeared in a man called Rice’s lawn, that is, and into which he has thrown household things like the kettle, perhaps keeping back his saucepan later to cook a rice pudding, and what happens is that I land in the hole with him and cannot get out of it again with my identity or reviewing métier intact even to say anything critical regarding this black hole of a story at all. I shall likely have nightmares tonight about my shortcomings in even saying nothing about it, having already uploaded these words of mine over a fence into the playing fields called cyberspace, before a hairy red ball like the head on the back cover bounces back. A cup of you and me. “…boiling out of him.”

“He thought that nothing cannot be real.”

My previous reviews of this author: https://dflewisreviews.wordpress.com/tag/robert-stone/


nullimmortalis Edit

From the hairy red ball for a cricket bat above to different bats galore below and a sort of mansion on the edge of an encroaching sort of bog hole…

LET’S HANG OUT by Charlotte Turnbull

“Webbed fingers stitched the air.”

…and later the hair itself. This is the absorbingly mired story of two women, versed professionally in nature conservation on the moors, reminding me at one fleeting moment of my own recent roofless mansions, and of a recent synchronous reported political expletive here made polite as ‘bat faeces’. Bat faces, too, and the premonition, amidst such battery, of the women’s perceived madness as symbiolised by the expression ‘bats’ and by a series of artful premonitions of this work’s transformationally poignant ending that I felt coming with my own fingers in every sticky fibre of its text. Bells in the belfry, too. The hindsight thought of the eponymous T-shirt somehow made me want to weep. And then 

Wednesday, November 29, 2023

More New Miniatures

 

THE PLOT – JUST LIKE THAT

I misunderstood what he said, when Tommy Cooper said it. But then he added: “There were several traitors in England throughout its history, but have you heard of the purple one?”

I shook my head. In some history books, however, I knew there were theories about various traitors – like Lord Haw Haw, and Guy Fawkes, or Lord Lucan or John Stonehouse, or Blunt, Burgess & Maclean, even slapstick comedians like Charlie Drake.

Some of the more dangerous ones were given colours to keep their identities safe, a bit like M, Q and Nadine’s Dr No in the James Bond annals . My understanding of the Traitor known as Purple was a comedian like Charlie Drake, Jasper Carrott, Dave King, or even Sid James. To make us laugh so much did seem pretty treacherous bearing in mind what life was really like!

You see, unbeknownst to Tommy Cooper who mentioned it, I had myself made a study of all the colour traitors. In fact, I became the leading expert – and I had tipped the imagecorner of each page in a book I kept about these traitors, tipped them with different colours as a way of coding – so that one day they would be revealed to someone not as clever as me. In fact revealed to the Purple Traitor himself, clever enough to fathom my colour codes but stupid enough to betray himself by showing that he could fathom these codes. A clever ruse on my part, eh?

I left the book on the arm of my settee when I expected Tommy Cooper to come round again, whom I had worked out as being the Purple Traitor. Arthur Askey had nothing on him.

I invited him into the lounge and asked whether he would like a cocktail. He nodded.

“Green Safecrackle or Purple Hazard?” I asked.

Of course, he opted for the first one, so I now definitely knew who he was. A double bluff. Even a quadruple one. Hardly a triple.

Then I left the room to make the chosen cocktail. But I left a spy-crack between the doorframe and the door to watch him leaf through my colour-coded book. He seemed to study the strange patterns that the words made, while triangulating one of the imageacrostics with his finger. He naturally ended up on the page I expected him to be on, i.e. the one you would least expect him to be on if he was the Purple Traitor.

I plunked the purple umbrellas into the tall glass and re-entered the room with it.

“That’s the way to do it,” he said with sufficient breathiness. And he swallowed it in one gulp. Umbrellas and all.

“Just like that!” I replied with a studied grin, and I smartly placed the handcuffs on MYSELF as the perpetrator.

***

It is sometimes a precariously foolhardy task for you to copy and paste large amounts of text with a finger, in tactile contiguity with a screen, dragging itself across the surface of a page without upsetting ‘the apple cart of what’s begun needing to be finished’ alongside an unfaltering steadiness of purpose, before releasing the store of words upon another page without, in the interim, losing it all into a void where words could be lost forever or even vacuumed up in other dimensions by creators of alternate worlds. But the greatest slip between cup and lip that stems from this process of dragging the finger is dragging the very heart out of the text, and when it is thought to be successfully released as a paste from the past you see the pulsing heart slipping, from top to bottom, through the fingers of the text and then falling off the edge of the page into areas where no screen dares to go and eaten by the ghosts of starving copy cats that have gathered at your feet by the scent of your genius. Apologies to real cats

***

I have long enjoyed chance and coincidence, and random luck. But these times have been ones of frustration; in fact, that particular f word has been building in strength over a longer period, just as the word itself is longer than the more usual f word everyone seems to use these days, even those you don’t expect to do so especially when their luck runs out….
I was interrupted in writing the above essay upon modern mœurs, by the arrival of my own version of starfruit on nothing as carried by nobody, making this difficult to make a meaning relevant to anybody reading this. I turned to my assistant who usually kept things away from me while I tried to concentrate on today’s subject in hand, and I watched gradually my already written words pulling back along their staves like music notes cringing at what was approaching from the right hand side as symbols of illicit tone and key. To the extent of my utter frustration at such a turn of events, until I managed to turn it around again. My assistant whispered her own pet expletive under her breath, as if readying herself for something beyond the range of hearing as well as smell and sight. Giving me a clue towards rescuing what I had already written. Taste and touch were often a last resort. What happened next was the resumption of my essay as I diverted into more arcane Games of Fate and Frustration with no dice shakes and plenty of dying snakes upon collapsing ladders. The fell lottery of postal codes. The bingo blight of life’s unnumbered mischances. The carambola of catastrophe and chaos. Luck running back in time to clinch the final rhyme.

***


Time to emote. Time to rethink things. To remember that longer arms meant bigger elbows, and even bigger heads to match. There was not a thing that could be done about it inside such a large contraption that had no outside to it. One of them grabbed the remote, remembering at the last moment that was what it was. The remote what? asked the other, who had forgotten the child left behind. Not a single thing that would change things. The need to re-shorten and to re-earth.  Slowly, by half of a half of a half of a half forever, the outer contraption felt as if it moved on tracks that would not take traction. Circling a moat with no drawbridge and no boat to cross it. To be taken across entailed more than just a strength of mind over matter. It simply took a look at each other to reshape whatever had trapped them here by carvery as well as welding. Elbow empowering while arm twisting and head banging to force the mind’s motion to be recruited in the same battle of moving onward through more than just a metal machine with a resistant track’s trickery of obdurate flesh. The thing that was the same thing. The only thing to rethink. Until they heard the child’s first baby cry.



Tuesday, November 28, 2023

The Volkhova Perplex by Ashley Stokes

 


The Volkhova Perplex by Ashley Stokes

Published in AT THE LIGHTHOUSE, a new anthology in 2023 edited by Sophie Essex and published by Eibonvale Press HERE.

Reviewed as part of my ‘Dessemination’ project HERE

My previous reviews of Ashley Stokes are linked HERE.

***

“From behind we see Syzygy gently nudge Star with her elbow.”

Even having just re-watched yesterday a ‘realler’  colourised version of the first Daleks’ shaky cardboard and silver showing in 1963 that I originally saw live in fuzzy black and white when  it was first broadcast, I do not know how to approach reviewing this first person plural referenced, indeed multi-referenced  ‘story’ of the eponymous TV serial’s ouroboros of a time warp creating for the first time the Lighthouse in a new Area X as seen  by a narrator who was an obsessive fan to the extent of blighting his subsequent life or altering what happens in the backdrop history in the 1970s to the extent of the serial’s existence at all being in question when…. ah, I am aging and agog with both its setting on the east coast where I live and the previously invisible lighthouse that I can now see from my window. I sense this is a significant work, sparking off with a fazy Sapphire and Steel. 

Antripuu by Simon Strantzas

 

ANTRIPUU by Simon Strantzas

Published in ONLY THE LIVING ARE LOST, a new collection by Simon Strantzas, published in 2023 by Hippocampus Press as described HERE.

Reviewed as part of my ‘Dessemination’ project HERE

My previous reviews of this author (some of which are reviews of stories in this new collection) are linked HERE.

***

“The problem, instead, is what’s beneath the storm, mimicking the howls of the storm, trying to coax us into opening the door and letting it in.”

This is a fearsome scenario made into a psychological study of a narrator mixing life-preserving hope with death-embracing depression and other elements of his self-complex when on a trip into the Iceteau Forest with his two male colleagues from the Socket Company, where they meet, in the throes of terror, an itemised man and woman in a wayward shelter — all of them besieged by the eponymous monster as a unique version of the Wendigo, a frighteningly tall, yet narrow hand’s breadth, thing which I imagine to be full of sockets and fence joints and  ’bent knees’ and an ‘overlong arm’ in different contexts elsewhere in this story, but tellingly never an explicit elbow. But where is the bad story and the good story hinged, and by what means do you believe the Antripuu is also hinged to the fate of those it terrifies, as it terrifies the reader, too? Somehow, for me, the narrator is already embedded as the ever joyless one, embedded indeed within ‘Antripuu’ as the ever partnerless ‘Puritan’, even if one eventually escapes the other. When I do go, the you follows.

“They have to have. They have to.”

THE PLOT — JUST LIKE THAT



I misunderstood what he said, when Tommy Cooper said it. But then he added: “There were several traitors in England throughout its history, but have you heard of the purple one?”


I shook my head. In some history books, however, I knew there were theories about various traitors – like Lord Haw Haw, and Guy Fawkes, or Lord Lucan or John Stonehouse, or Blunt, Burgess & Maclean, even slapstick comedians like Charlie Drake.


Some of the more dangerous ones were given colours to keep their identities safe, a bit like M, Q and Nadine’s Dr No in the James Bond annals . My understanding of the Traitor known as Purple was a comedian like Charlie Drake, Jasper Carrott, Dave King, or even Sid James. To make us laugh so much did seem pretty treacherous bearing in mind what life was really like!


You see, unbeknownst to Tommy Cooper who mentioned it, I had myself made a study of all the colour traitors. In fact, I became the leading expert – and I had tipped the imagecorner of each page in a book I kept about these traitors, tipped them with different colours as a way of coding – so that one day they would be revealed to someone not as clever as me. In fact revealed to the Purple Traitor himself, clever enough to fathom my colour codes but stupid enough to betray himself by showing that he could fathom these codes. A clever ruse on my part, eh?


I left the book on the arm of my settee when I expected Tommy Cooper to come round again, whom I had worked out as being the Purple Traitor. Arthur Askey had nothing on him.


I invited him into the lounge and asked whether he would like a cocktail. He nodded.


“Green Safecrackle or Purple Hazard?” I asked.


Of course, he opted for the first one, so I now definitely knew who he was. A double bluff. Even a quadruple one. Hardly a triple. 


Then I left the room to make the chosen cocktail. But I left a spy-crack between the doorframe and the door to watch him leaf through my colour-coded book. He seemed to study the strange patterns that the words made, while triangulating one of the imageacrostics with his finger. He naturally ended up on the page I expected him to be on, i.e. the one you would least expect him to be on if he was the Purple Traitor.


I plunked the purple umbrellas into the tall glass and re-entered the room with it.


“That’s the way to do it,” he said with sufficient breathiness. And he swallowed it in one gulp. Umbrellas and all.


“Just like that!” I replied with a studied grin, and I smartly placed the handcuffs on MYSELF as the perpetrator. At least I never swore.

Sunday, November 26, 2023

Cocooning by Christi Nogle

 

COCOONING by Christi Nogle

Published in PROMISE, a collection by Christi Nogle, published in 2023 by Flame Tree Press: HERE

Reviewed as part of my ‘Dessemination’ project HERE

My previous reviews of this author HERE

***

This is a sort of lockdown or curfew; in fact I recently learnt that the UK Government considered ‘cocooning’ in 2020 as their term for such restrictions, but changed their mind to lockdown. This is a transformational grammar or theme-and-variations on such a cocoon with, inter alia, a blanket cartoon on a window and removal of mirrors akin to old block TVs being ousted by flat screens, whereby we follow —  haunted by it all, and our own memories and mind contortions three years ago — a married couple whose cocooning involves a carnal subsuming with pet dogs that is vividly conveyed towards what now in hindsight was a sort of natural culmination and I wonder if the particular word that is crystallised at the end here by the preceding matters was the same Welsh word that my Welsh father (trapped in England in the 1940s by the war) taught me as a word that seemed to be connected with the 1918 cocooning in Wales when he lost all four of his grandparents to a similar infectious subsuming. Trapped on the hither side of the hearth as something other than himself?

Antripuu by Simon Strantzas

 

ANTRIPUU by Simon Strantzas

Published in ONLY THE LIVING ARE LOST, a new collection by Simon Strantzas, published in 2023 by Hippocampus Press as described HERE.

Reviewed as part of my ‘Dessemination’ project HERE

My previous reviews of this author (some of which are reviews of stories in this new collection) are linked HERE.

***

“The problem, instead, is what’s beneath the storm, mimicking the howls of the storm, trying to coax us into opening the door and letting it in.”

This is a fearsome scenario made into a psychological study of a narrator mixing life-preserving hope with death-embracing depression and other elements of his self-complex when on a trip into the Iceteau Forest with his two male colleagues from the Socket Company, where they meet, in the throes of terror, an itemised man and woman in a wayward shelter — all of them besieged by the eponymous monster as a unique version of the Wendigo, a frighteningly tall, yet narrow hand’s breadth, thing which I imagine to be full of sockets and fence joints and  ’bent knees’ and an ‘overlong arm’ in different contexts elsewhere in this story, but tellingly never an explicit elbow. But where is the bad story and the good story hinged, and by what means do you believe the Antripuu is also hinged to the fate of those it terrifies, as it terrifies the reader, too? Somehow, for me, the narrator is already embedded as the ever joyless one, embedded indeed within ‘Antripuu’ as the ever partnerless ‘Puritan’, even if one eventually escapes the other. When I do go, the you follows.

“They have to have. They have to.”

Wednesday, November 22, 2023

White Paint by Annie Neugebauer

 

WHITE PAINT by Annie Neugebauer

A story published in ‘Cemetery Dance Magazine’ #78 (2023) HERE

Reviewed as part of my ‘Dessemination’ project HERE

My previous reviews of this authorHERE

***

“elbows locked”

This is a telling post-prison story where a man, upon his release, therapeutically tries to create a tabula rasa for his life, until  he is haunted by someone with a girlish pink ribbon at the packaging works where he worked, disrupting the purity of the eponymous paint he places on the walls of his emptied living quarters if not with my personally perceived assonance of the author’s name as a snow bower, in fact his very flesh is infected by the paint itself that only his misunderstood slapstick past could paste over? A powerful probationary portrait of this man that I timed as being read by me for thankfully longer than 4 minutes 33 seconds but also making me wish to re-read the world’s first published blank story that was never blank enough….

Tuesday, November 21, 2023

Hide and Seek by Andy Humphrey

 

HIDE AND SEEK by Andy Humphrey

  A story recently published in ‘Something Peculiar’ (Black Shuck Books 2023) HERE

Reviewed as part of my ‘Dessemination’ project HERE

My previous reviews of this authorhttps://dflewisreviews.wordpress.com/tag/andrew-humphrey/ and https://nemonymousnight.wordpress.com/2023/02/18/duck-egg-farm-by-andy-humphrey/ and https://nullimmortalis.wordpress.com/2010/08/18/the-alsiso-project/

 ***

“. . . demeaning.”

Demeaning or dreaming, this is a remarkable story in stages of a man’s age having first been harassed, when he was 8, by an older lady in a town park and induced to play hide and seek, with elements I will not spoil here by divulging. It has elements of Aickman with gradual regard to the meaningfully de-meaning, even de-spelling, development of his own life and his sister’s life, with references to his mother and the Findus food he liked, and the worlds-apart places where he was subsequently employed and the seeking game followed. 

I can say, beyond question, that it is a major work in the oblique and slipstream, as well as mainstream, a claim I make with the experience of THESE reviews under my belt. 

He was eight at first, but claimed to be nine. The former being a vertical lemniscate. 

Findus endlessly to purge the Zeno’s Paradox of the game?

Monday, November 20, 2023

The Dapper Man

 When I met the Dapper Man, I thought he said something he didn’t, and I just stared at the bottom of his reflection in the shoeshop window, while listening to screams in the sky I could not explain. Why not look up and see? But I was permanently dip-headed, as you know, and could only see the Dapper Man’s shoes alongside all the other shiny pairs on sale. His, though, were neatly laced, and the glimpse of socks was like the glance of pretty ankles in days of yore. I wondered if he wore a hat, but this reflection was not in colour, and I assumed the hat to be as colourless as the forehead skin beneath it. Why not ask him? But that would make no sense.

They turned out to be reflections of my own shoes as I wiggled them with an artful caprice. The screams that ploughed the sky were constellations of the war’s dead children, the Dapper Man guessed.hu

***

The Dapper Man went to war, there being a gap in the officer ranks that needed filling, with soldiers’ boots all the rage, their leather dubbed and glistened with elbow grease before each battle. He was inspector of the ranks, marching with his baton past the men, to see if their boots passed muster. One pair indeed did not cut the mustard, and he swiped the recruit like a credit card through a machine. And the whirring never stopped until the next poor punk was reprimanded by the Dapper Man. The men already in the trenches were to be inspected next, and mud the most danger for soldiers’ boots. But very little dog muck. One soldier whined and coughed like a whelp’s barking, his nose elongated by the intense frost. Snot as hot as Coleman’s. The Dapper Man had a moment of pity, but there can be no pity in war. So on it all went. No gap for mercy. No lap to be run for the next baton passing. The Dapper Man was a kind man at heart and in truth. But this tale about him was as scarce with truth as meat in any sapper’s gravy rations.

***

Once upon a time, the Dapper Man went off on holiday, so that nothing could be written about him. But little did he know that I followed surreptitiously in his wake, ticking as complete each of his expected movements as if he were a linear clock. Except, of course, he soon ventured off piste when caught short by everyone’s wall of watching him through me. I take full responsibility, having become a desert town’s shop window mannequin in mock array within it, outside of which window our dear Dapper Man stood and stared with his own sense of high suspectibility of being stalked. A desert town under a hot sun with thistles galore covered in what looked like frost, along with the gently mobile weed clumps of eye-floaters susceptible to every passing eye. The Dapper Man seemed to look keenly at his shoes’ shininess, but I could not follow all his movements, frozen in time as I had become by an ill-judged subterfuge. My own sight-line fixed firmly on my own feet. Here, though, unexpectedly, was an oasis of imagination and dream, if cross-structured by your gawps and gazes, japes and jeopardies, in hope or dread at this Wonderwall of Words.


***


The land lay low, the sky was not at its highest, and the horizon had been thrown there by a God with a weak-elbowed arm. And, furthermore, any distinguishing marks on such a horizon to adumbrate its nature had been forgotten. It was simply a straight line with a slightly different pastel shade either side of it. More like a Rothko painting than a real landscape, and describing it thus at length has made me forget the actual purpose of describing it in the first place and what story unfolded in its vicinity.


***


There was no need to remember what happened in the Rothko-like landscape, because it is happening before my very eyes as I write these words themselves, thus making events happen in synchronicity with the simple act of writing such words. It was like playing a piano with three hands but only one brain, drawing into focus the characters, one being the Dapper Man himself and one of the Big-Headed People employed as his rival in plot terms, and a morphing of the horizon into a recognisable city’s edge. The pastel shades above and below the horizon were blending, deepening each other into primary richness, even when veiled by the blurred effects of any words used to reveal them. Words, you see, were normally imprecise even when sporting variable colours of their own in every pinion, spindle, cross and dot of the letters’ visual configuration, disregarding any semantics or phonetics as patterned and supported by a structure of syntax. It was when the notes of the piano were played that the whole story was captured, not by the phonetics of the words, but by a separate music sonata that harnessed all the other ingredients into a vision of the Dapper Man and the Big-Headed Person having an elbow fight to decide who was real enough to proceed to the next frame of the tragi-comic story beyond any horizon’s now re-emptied cliff-edge, and the eventualities themselves would tell each other the ensuing story without needing any words other than their own.


***


We had a Medium to Low Suspectibility that only one of the competing pair could possibly progress to the next frame, but in actual fact both did so, having deemed their elbow-fight to be a draw, or a truce that only truth was able to deny, and this was because they now found themselves entering the land of trust as truism. The win-all, lose-all ethos was left behind by their having crossed the broken horizon under the vertical eye of whoever wrote this about them as a word-wielder in whom they had intrinsic faith. But it seemed self-evident that there were levels of words at play and at this level you are reading, the word-wielder was unknown except by the secondary word-wielder who weighed up such a word-wielder and then wrote this about him or her. And so on, as that entailed yet another level of word-wielder who had to resort to such pronounced ‘pronouning’ as ‘him or her’, while all the time we knew the case was neither. And, thus, that ‘we’, in turn, implied collusive word-wielders as a committee considering worst case scenarios within the Art of Suspicion regarding the Balance of Probabilities. Meanwhile, the erstwhile elbow-fighters, the Dapper Man and the Big-Headed Person were playing on a child’s see-saw in a world of golden heaven’s shafts of light whereby ‘Man’ had no meaning at all and ‘Person’ very little. How long, before snapping, the precarious plank could bear their weight in alternate turns of sprung shoe wear was your guess being as good as mine, and only the next frame of the story could tell us, except, arguably, the next frame was already a palimpsest of this one.


***


The two of them had made up their quarrel, which didn’t mean the quarrel had never existed for real as described by words intended to alchemically magick it into an utterly real quarrel, and having both injured themselves, they blamed the now broken see saw rather than each other, and sought to see a hospital on this side of the horizon’s border rather than return to the thick of it before they crossed such a horizon. They soon saw the sign BLACK SWAB upon an evil-looking mansion and this they guessed must be where the doctors and nurses now operated. But before they could reach its entrance all the building’s shadows became congealed with their own, and the Big Headed One was now just the bobbing head after which it had been named and, so, without limbs, it depended on the the Dapper One to drag it in the trench that had been formed by the Dapper One’s own shoes which were all that seemed to remain of the Dapper One as a pair of large tongued tanks waddling, if not trundling, along, the laces harnessed around the huge head of their companion to gain traction of positive passage and reach rescue by subsequent healing in BLACK SWAB. They were soon ushered into the Sibelius ward that led from the triage vestibule and placed in a section controlled by someone with a name badge of Dr Tuonela. Although that previous sentence was apocryphal. Although that previous sentence was apocryphal. Although that previous sentence was apocryphal.


***


He found himself in a hospital bed, his pronoun now  known, despite the medication he’d been given to neutralise it. His big head smiled wanly as he squinted to see his wrinkled face in each of his shiny shoes that stuck out from the bottom of the eiderdown. The nurses had not yet removed his shoes, and it seemed strange they had bothered to shine them up before they did. He smiled again to test the reflection’s veracity. Death would be like this, he guessed.  Full of sound cancelling and sometimes jagged music.








Sunday, November 19, 2023

THINGS BREAK DOWN by Ashley Stokes

 

THINGS BREAK DOWN by Ashley Stokes

  A story recently published in Phatasmagora Magazine 23 HERE

Reviewed as part of my ‘Dessemination’ project HERE

***

“No one jostled at the intersection.”

This is like one of my ‘mansions’ made into mammoths not miniatures, a woman climbing floor by floor, a story by story that chrysalises with the other Stokes stories I have reviewed HERE, something indigo at the corner of my eye  as “I lay down and stared at the white expanse of the ceiling.” The Age of Disorder with AI after AI glancing out of me and into me, attacked by spores as well as whatever else is here. And who is ‘you’ in preference to Christian’s throb, and what did we do when we finished pretending to be the Famous Five? (There being a new book out recently by Nicholas Royle about David Bowie and Enid Blyton, is my first aside.) A human being helping an AI in an Astrological Tower become a sort of mansion of the moon so as for this woman specifically to feed someone’s pussy cats, from Scullery to roofless Skull. The worst of all nightmares, the best of all dreams. (Another aside, ‘mansion’ is an anagram of ‘onanism’.) My reviews now break down upon this story edifice. The end is nigh for me… No justice done, I have just touched its insides from outside.

“I wanted to make sense of them, look for patterns…”

So instead I fall back on the enemy AI, whence I have dared seek retrospective pictorials before …. and for which daring I wear sackcloth and ashes…

…the whole shifting collage for Ashley Stokes HERE

Saturday, November 18, 2023

DON’T BE CLEVER by Georgina Bruce

 

DON’T BE CLEVER by Georgina Bruce

A short story in this author’s THE HOUSE ON THE MOON (Black Shuck Books 2023).

My previous reviews of this author HERE

Reviewed as part of my ‘Dessemination’ project HERE.

***

“People thought it was either something to do with Elon Musk, or aliens.”

I cannot tell you whether I was startled by this story or not, as that would be a spoiler. But it at least took me by surprise, as I followed Suzanne who needed more space from her husband and children  and  travelled on her own  to an idyllic Croatian island with many quiet or secret coves where she found herself being harassed by a fellow tourist, a woman who was simply full of her own chakras! And when a chosen mystic stone became a rock much smaller than the moon …. I thought of my journey many years ago through the Art of Astrology and the ‘mansions of the moon’, and when certain planets transited certain ‘houses’ of my own natal chart.  Suzanne needed space indeed, and another of  Musk’s rockets exploded today, as I synchronously witnessed in today’s news just before reading this remarkable story. Yes, Astrology is synchronicity not cause and effect, I have always found myself arguing. Yet, maybe I should pay heed to the story’s title. And, by the way, it is not a spoiler to say it is a remarkable story, as I just did, as I feel it deserves anthologising again and again.  And I say that advisedly, having reviewed all THESE mainstream anthologies in recent years. But who is Brian Cox?

“She had no idea how long she’d been sleeping when she felt a jostling at her elbow,…”

THE ONE THAT GOT AWAY by Gary Fry

 

THE ONE THAT GOT AWAY by Gary Fry

A short story that appeared this year in NIGHTMARE ABBEY #3, available HERE

Reviewed as part of my ‘Dessemination’ project HERE.

***

“If that had been a gassy giggle, it surely couldn’t have emerged from anything that resembled a mouth.”

A horror story that might have got away from me, but I was somehow destined to return to my book-reviewing roots paradoxically to find myself reading this story (most of my previous reviews of this author are inexplicably rooted in my reading past and are linked from HERE), and this one is genuinely suspenseful, honestly and plainly horrific, with an evocative sense of place, in many ways unashamedly and gruefully what-it-is, perhaps echoing in some way my own journey from a grey financial humdrum job and bringing up a family in the 1970s and 1980s also somehow bringing me later to writing horror stories… but this adept tale is, of course, not about me nor my erstwhile situation; it is about someone quite different, but it is a sort of parallel, as the character diverts from a boring business meeting near Bradford (where I had a few business meetings myself!) and he eventually finds, in the area, the township where he was once a gauche youth in the first clumsy attempts of dating girls, and the place where one particularly coquettish girl used to live with her father, her house now derelict and haunted by old childhood games, and much more that comes through some telling slit in time  and place that we both fear and love. He sort of dared it to happen, although he was not the sort who could really dare anything.