Busy Blood Forever
Photo by DF LewisThe DFL website: www.nemonymous.com
Friday, September 17, 2010
Barge
I joined the Book Club although I had never ever read a book since school. You may wonder why. Well, you’ll probably guess that there was a girl involved, one who went to the Book Club. I fancied her, fancied her desperately. I knew her at work. We had chatted inconsequentially at the drinks machine as the plastic cups clattered down one by one, each followed by a defiant hiss of steaming liquid. One day, she told me about the Book Club. She evidently thought I looked bookish – or rather she fancied me as I fancied her. Well, so I hoped. She just used the Book Club as a catalyst for our future relationship. I jumped at the bait with enthusiasm, but then immediately regretted it when she told me that I needed to read an actual book – a very large one as it turned out with tiny print and an unattractive cover that I had to buy in WH Smiths – it was titled BARGE – and I needed to talk about it, she told me, with the other members of the Book Club.
Well, I did read it religiously. It taught me long words like ‘catalyst’ and ‘judicious’. I gave up all my favourite TV programmes. And, surprised as I am to report this, I actually enjoyed it. I never understood the significance of the title, though. Anyway, this was the first time ever I had enjoyed any book.
I expect you will guess, by my tone, how the plot now turns – because, predictably, when I arrived at the Book Club (fat book in hand), the girl who had invited me was nowhere to be seen. I never saw her again at work, either. And, incidentally, they replaced the drinks machine with a tea-lady pushing an urn on a trolley. I now have a nostalgia for drinks machines.
I have a nostalgia, too, for TV programmes because, soon afterwards, they did away with TV sets and replaced them with large wirelesses, ones with glowing consoles and wickerwork speakers. Oh for the good old days of big black plasma screen on the wall.
A lot came from reading that book it seemed. And I generally became an avid reader as I listened to Mantovani music on the crackly wireless. Eventually, I married the tea-lady. She looked much younger without her overall. And we lived happily ever after – like the ending of that first book I’d read since school.
I never returned to the Book Club because they started using Ipads and Kindles instead of real books.
One day, I did think I saw the girl who had first invited me to the Book Club – in the distance, sitting on a park bench. She was much older, but I could tell it was her. As I got closer I found her reading a real book and sipping a drink from a plastic cup. She half-smiled. I was never sure if she recognised me. I went off to WH Smiths – but it was shut. So I returned home to the wife who was knitting in the corner of our silent candlelit sitting-room. Somehow her dress was kept nicer by the judicious use of her old overall.
Life continues to go by outside the window.
==============
Written yesterday (slightly amended today) as a speed-writing exercise at the Clacton Writer's Group
Sunday, September 12, 2010
Twilight
Twilight
posted Friday, 18 June 2010
TWILIGHT
The piece of paper had one word on it: Twilight.
It happened in a busy pub while I was standing at the bar trying to make myself be seen by the barman. I generally have trouble getting drinks at bars – it’s as if I am invisible.
Anyway, that evening, I managed finally to catch the barman’s eye with the first few words of my order spoken out loud already a few times: “A pint of Extra Cold Guinness...” and, as this happened, I felt someone touch my hand (the one not holding out the ten pound note pleadingly to the barman), then placing there, as I instinctively took it, a piece of paper. I sensed it was a woman but I did not see her as she vanished into the hubbub behind me.
“...and a glass of Twilight, please, “ I confirmed.
“Ice and lemon?” immediately retorted the barman.
I returned to the table, reserved with a bag and two coats, and placed both drinks in position. I sat down in one of the seats and suddenly took the opportunity to inspect the piece of paper whereby I confirmed a presumption of what was written on it.
“Someone just passed me a piece of paper at the bar,” I told Susan as she returned from the Ladies. She had evidently risked leaving our table and belongings unattended but, in my present mood, I was averse to complaining. In fact, it had not crossed my mind at all. Hindsight was wonderful.
“What’s on it?”
“Nothing. It’s completely blank.”
“What’s this drink? It’s not a Pepsi.”
I scrutinised the wine-glass shaped glass containing a liquid that seemed to give off its own light, a dull glow from amid a dark centre. A centre as dark as my Guinness, if not darker. It was like no drink I had seen before.
“Well, it certainly doesn't seem like a Pepsi,” I agreed, scratching my head. “Try it.”
“You try it,” said Susan.
I picked it up and took a sip. There was no taste at all, indeed no relative temperature to gauge how cold it was. If a drink could be completely bland, this was it. A warm sensation however hit my stomach –
“Hmm, it’s strangely not unpleasant. Try it.” Then I remembered that Susan never drank from glasses that others had used – even me. Me the person she often kissed. “Well, shall I get you a Pepsi?”
She nodded. I visited the bar again and undertook the whole procedure of catching the barman’s eye. This time it was even busier and I felt even more invisible. Less or more invisible seemed a strange way to put it, but my mind must have been slightly off-kilter. That drink - despite its lack of taste - must have carried a kick. One sip and I was anybody’s. Just another outstretched hand, this time with a five pound note in it, pleading for attention – for some acknowledgement that I was there. Tears falling down the cheeks with no salt in them...
I turned to seek re-assurance from Susan. She wasn’t there. Caught short again, no doubt.
I looked down at my hand. The five pound note held out in it was completely blank.
('Twilight' was speed-written at the Clacton writer's group last night and typed out above with slight revisions today)
Friday, September 10, 2010
The Merest Creak
The Merest Creak
posted Monday, 3 November 2008
Published 'Wearwolf' 1993
Feeling knackered, the saviour clambered on board and went the rest of the way in the boat. Eventually on land again, he was brought to a paralytic man lying on a stretcher-bed. “Your sins are forgiven,” announced the saviour. “Rise and take up your bed.” The man rose with a satisfying sigh and the merest creak of bone - walking off, without bothering to take up his bed. The saviour was spitting mad, shouting for the man to come back and take up the bed, but the wretch merely wagged his finger at the saviour and bounded away. As it would have been a pity for unmitigated anger to become the only shortcoming in the path towards Divinity, the saviour calmed down ... then deciding to use the abandoned bed for a long snooze.
Crumbling Edges - 2
Crumbling Edges - 2
posted Thursday, 9 October 2008
Written today and first posted here.
The ghost was immediate. Like love with no foreplay.
Jack and Sylvia glanced at each other with frightened looks, having glimpsed the ghost glancing at them from where the cupboard door should have been. They hadn’t long moved into the flat and they believed this cupboard to be an airing one, slatted with empty wooden shelves above a large pipe-fed cylinder. It was early in their days of tenancy and the prevailing summer weather had caused them not to have yet fathomed the flat’s heating system. They assumed the cylinder would be central to any such system. Quite divorced from the electric power-shower they had already been using to remove the dust and sweat of the city.
This was the first night of chilly air so they had been investigating the various so-called heating-controls in various dark corners. Jack was not particularly practical. Good looks but not good hands. Sylvia had more nous than Jack but was saddled with a belief that men should look after women, not vice versa. She had her hands full with keeping down an office job to help pay the rent. The flat had been too expensive for them even before the Credit Crunch. Jack was self-employed as a messenger, but his motor-bike was currently out of commission – beyond his own capacity to mend – and he really needed a new one. His good looks alone could not pay the rent. At least Sylvia’s good looks had played some part in landing her a job in an office. A pretty head seemed to disguise its otherwise disordered numeracy and literacy.
Life was not complicated. Merely difficult.
“Did you see that?”
Sylvia’s voice turned into under-muttering... her crumbling nerves on edge. She was tired. Easy jobs were never easy when you made hard work of them. She watched Jack peering into a vase. He had bought some flowers to celebrate the completion of a week in the flat and wanted, evidently, to see if this vase – that came with the furnishings – was worthy enough to display the flowers that would be useless without being arranged and then viewed properly. The flowers had been bought with real money. The opportunity cost was a single destiny too far. Never to be recouped. He sighed as, simultaneously, he too glimpsed exactly what Sylvia had glanced at.
A misbuilt figure – shimmeringly shaped no doubt by a haze or fitful blast of heat – veiled the blank stare of the open airing-cupboard. But wait – the cupboard was not open as such but now completely doorless or somehow shut without a door at all.
Jack put down the vase and continued to stare as the figure took on further form as a transparent example of humanity: waving its arms about in a wild panic at its ill-timed emergence from separate ghostly forces. There was no doubt in the couple’s minds – although they had no time to discuss it – that this was an essentially mysterious event. And thus more horrifying than it would otherwise have been. The only horror for mankind is the supernatural: a truth about the unknown or inexplicable that neither Jack nor Sylvia bothered to rehearse. It only came too naturally.
“Stay still,” whispered Jack, “until it goes away.”
“I’m scared.” Saying the obvious was the only thing she could think to say.
Jack stayed silent rather than admit his own terror.
The edges of their nerves were now as if creeping along the carpet between each of their feet, seeking an electric circuit of comfort, thinly holding out invisible tingling arms to each other.
Almost automatically, Jack surrendered any hope that this event was a dream or a mistake of vision – it was essentially real, there, taking place, moving all the time without any possibility of predicting where it would, as an event, move next. He picked up the vase again, an equally automatic or unpredictable action, as if to catch the ghost in its open mouth.
Sylvia, in turn, made a scraping noise with her chair as if to distract the ghost from what Jack was attempting to do. And, indeed, the ghost’s whole face of a body swivelled violently in her direction, the cylinder and its pipes appearing to swivel with it. It was an uncanny attempt to make something flat three-dimensional.
Jack’s hands were, as ever, uncoordinated, but he managed to bring the vase into an optimum position so as to be able to trap the ghost within it. But at the last moment all he could do was watch helplessly as his own and Sylvia’s lost nerves vanished into it, leaving the ghost alone - simply left to ponder on the crumbling edges of the flat emptiness around it. It scratched its head deciding it had nothing with which to scratch it, being nothing but head. Eventually nothing but a further flatness of face. A grin and a grimace. A final glance or glimpse. Then, nothing at all.
Slowly, time drifted on, with nobody to note its passing. Messages failed to be delivered and files mouldered in deserted city offices.
Sylvia abruptly and unexpectedly scraped her chair. Jack smiled warmly. Time to make love.
The flowers, however, were dead.
Thursday, September 09, 2010
Crumbling Edges
Crumbling Edges
posted Friday, 12 September 2008
CRUMBLING EDGES by DF Lewis
A story written today and first published here.
The damp room gathered itself as a setting. The man in his rocking-chair ... to and fro ... creaked in time with Handel’s Messiah on the wireless. The reception’s low volume begged the question: why was it switched on at all? Merely to give some undercurrent to the silence, should the chair’s creaks become deadened by dust? He was surely scared of silence. It would make him think of death.
He looked down at the frayed ends of his trousers where the turn-ups still contained a month’s crumbs. His wife had abandoned him by entering her own shape of silence a few weeks before. He had tried to keep up the domestic standards she would have expected him to maintain but, in the end, the silence had again begun to gather ... as if it were now his own turn to have the noise of his bodily movements deadened. He kept the wireless chirruping baroque music through the hiss and static to divert any sleepiness that the silence otherwise encouraged as its ally.
The bed remained empty. Strangely, it creaked, too, by its own volition, as if in communion with the creaks of the man’s bite on the pipe stem that had been unnoticed in his mouth when initially surveying the setting. The rocking-chair was well-oiled and silent, after all. The wad of tobacco in the bowl had long ceased to smoulder: now as damp as the atmosphere of the room itself. The spittle still shone where his teeth clenched the mouth-piece.
Beside him was a wedge of durable cheese: aging into ranges of flavour that the man relished in anticipation. Its stitched rind held firmness intact. The smell was uncertain. There was, indeed, no smell at all in the room, a fact which is hard to believe.
The blur-edged shadows were cast by a moon he had tried to switch on like a light.... and miraculously it had indeed started to run on electric and hang from the middle of the room, complete with its own map of desert seas. Lack of noise was silence. Lack of hearing was silence, too. But it was more difficult to use a single word for the lack of smell. Lack of sight was blindness. But the dim old-fashioned crinkly globe hanging from the ceiling kept blindness at bay. But lack of touch was the most painful to put into any word but nothing.
One of the shadows suddenly took on a life of its own ... bending as if to scoop the crumbs from the turn-ups. His own shadow was then suddenly cast upon the peeling wallpaper, its pipe rocking to and fro as the Messiah reached its scratching endless run-off groove that proved it was a pick-up on a record rather than a wireless-broadcast with hiss and static for edges.
The room had now become a silent setting for not one but two living shadows able to touch each other’s gentle moisture. The only way to believe in ghosts was to become one.
The crumbling cheese surely stunk to high heaven.
Wednesday, September 08, 2010
Pipe Dream
Pipe Dream
posted Wednesday, 16 July 2008
Published 'Ammonite' 1997
One man dreamed that he had been many people - without the aid of reincarnation. And as his greatest love was music, he wondered if it were not that very music which collected and delivered him upon its ebb and flow of sound. Yet how could it? How could he be other than who he was? His friends and relations did not need to wonder with the same degree of perturbation, since they were entirely oblivious of the need to wonder. He was the person they knew as Susie and they would have considered any doubts as they would have done dreams. Their unshakeable certainty helped to give certainty to the Susie about whom they were so certain, but there was a certain something that nagged at the back of his mind, urging him towards an equal certainty regarding his own uncertainty: a fiction of a person who lived in the mind and, at a push, in the music: a ghost who only failed to haunt people by haunting them. But did it matter? Certainty might have meant something different, give or take an odd dip in the uncertain tides of certainty. Even the man’s name could be changed as easily as he could change for dinner, names simply being convenient coastal barriers against the waves of confusion. Names indeed, were merely words by another name: bricks in the sea-wall: the sound-bites of muzzled reality: music’s muskets against the Void’s own cacophonous snipers gradually sniping away at him.
So, although he harboured doubts that doubt gave him the right to exist, he thankfully retained the need to wonder - and Wonder, he knew without wondering, was not doubt, nor certainty. Nor something in between. Nor even was it dream.
Even if fire were fantasy, a dragon would sniff at it. And the nameless hunter knew there was no smoke without a dragon or one of its smouldering cousin dinosaurs being in the proximity along with its clouded breath. He had climbed through the stacks all day, in search of arrow-bait for the narrow belly-quivers of his wig-wammed kinfolk who lived back a valley or two ... beyond the spreading swamp that resembled an age-curdled Sargasso Sea back-paddling between each bristled stack. Now, he could discern the smoke that puffed fitfully as from a tribal fire, rising beyond the roughest-hewn stack he had ever seen: as tall as was the tenable without teetering upon the brink of toppling: buzzful of spindly-legged creep-creatures and crawling with insect-wings. The pests were known to thrive on the horny backs of dragons - so here, he thought, was likely to be the toughest hide for his arrows to pierce. Slightly-lighter-than-air arrows were the only ammunition for his crossbow purposes: feather driven by birdsoul once the initial thrust had gone.
He aimed at the tell-tale smuts of smoke. And rescuing his feet from the sucking terrain so as to give more purchase for his stance, he tugged at the hair-trigger, with a minimal force to create the tantalising music of his own taut gut. The shimmering arc of aura was more piecemeal than direct in its path towards the smoking stack.
He smiled. The twanging music was sweet. And his purchase was beyond a belief that even God bought. He whistled as he witnessed the huge beast lumbering from behind the stack. Its pesky parasites were invisible to the naked eye, bar the faint sounds that stung the air with flecks that fought the floaters upon the hunter’s retina. Such irritants, however, were as nothing to the faster-than-light venom that had spurred the beast into view. Its bray was blessed with the horsepower of a hundred thousand ancient engines. The fire gushed from between the hinged saw-jaws of ribbed gristle - and floated more ferociously than the flick of its wide whip tail which, in its frenzy, inadvertently demolished the towering stack with the fulminations of buzzings turned to volcanic roar.
Never was seen a dragon like it. The remains of its death would probably feed the hunter’s broompole-boned kin back home for centuries of feasts - and floor over sections of the swamp with flesh harder than sheets of living human bone. The dragon’s nostrils burned on high octane snot. The danger was that the beast had been budged at all - and it would take a hundred thousand ancient Indians to put it out of its misery, give or take a few finger-yodelling braves who loved warpaint more than war.
Nor had the dragon literally ever seen a man. So the man was left only to hunt out his own hallucination of himself, one that had been induced by puffing pipes of peace in some distant past of flowers, bees, fish and birds: before the world was swamped and saddled with a spare second slippery chance to start. And if he were not nameless, Susie would have known a lot more about himself.
Susie could hear the waves surge, even from the forest clearing which the expensive map told her was still a mile from the lake. She was holidaying in such nettly terrain, in an attempt to remove the unsightly stains of a messy love affair from her otherwise clean canvas of existence. The cherry-trees men had secreted about their person were over-rated, in any event, she thought.
It was relatively smooth underfoot, as she pressed fir-cones into the ground with her trainers. Unaccountably, she thought about the truffles the cones would meet in the pig-proof paradises below. She wished she had a companion on this hike. A talkative partner of her own sex would at least make the story easier to tell later. Who would otherwise believe the Wild Lake? Solely with her say-so, it would become a fictitious expanse of white water. She did not ever talk to herself. Her speech was all inside. The trees would not have benefit of her backchat. The world was one without dialogue. Hence, the lonely holidays, the spinsterly flat back home, the lover who possibly never existed - even if she did recall his telephone number.
There is a great delight treading upon poison berries that have fallen to town pavements, with each generous squelch of sole on the separate scatterings of swollen red seeds. In the country, the berries are more often hidden within the soft mulch of the track. But, today, as she neared Wild Lake, berries were inches deep, literally belching underfoot.
As she stumbled through the trees towards the shifting lake’s edge, she saw a dragon-powered craft which was to take her to the opposite bank, without the necessity of clambering through the margins of overgrowth. There was a figure already on the other side, no more than the size of a doll. She waved in unison with this figure. At last - a sounding-board.
Having launched the craft upon the heaving face of silvery dusk’s reflection, she paddled sluggishly across. The figure appeared to have far too much lipstick smeared over its face, as if it had pigged itself upon Hell’s currant harvest. And a bulb-ended object which syphoned the steaming menses...
The lake was echo-chamber for silent music. Little need to wonder. Reincarnation has no body with which to clothe the soul. A hunter of names. A circle of uncertainties enclosing the only certainty. Emptiness. A pipe dream.
Prose Poem or Verse?
Prose Poem or Verse?
posted Saturday, 26 June 2010
Eventually very pleased that someone has seen fit to publish an old piece of mine: SIMPLY SICK AGAIN - first published in Not Dead, But Dreaming (1996):
http://poemsandprose.blog.co.uk/2010/06/26/the-final-stitch-in-the-tapestry-8866488/It was attributed to 'DF Lewis' but the publisher had not been able to find anything about 'DF Lewis' - until I told him in the comments to his publication of my piece.
It also originally stated that my piece was "not great verse" (a wording since removed regrettably from the site).
'Regrettably' because it stirred in my mind some interesting thoughts about story, fiction, prose, prose poem, poem, verse.
The piece is indeed 'not great verse', as I understand the word 'verse'. But with its ostensibly clumsy enjambement it gives the appearance of prose chopped up arbitrarily - a bit like the nauseous choppiness of sickness itself?
Perhaps this unusual arbitrary chopping method creates a prose 'poem' in its truest sense. It is also fiction or story. It is also a vignette. But not verse!
Having just re-read it for the first time after a long period, I find it to be a very strange, yet effective, work!
Thanks to the kind gentleman who thought fit to publish this work without knowing anything about what lay behind the authorship: only a name or nemonym.
comments (1)
1. Weirdmonger left...
Saturday, 26 June 2010 1:23 pm
Perhaps a new form has been invented: the prose verse? Proverse? Proserse?
Tuesday, September 07, 2010
The Teapot Moved (3)
The Teapot Moved (3)
posted Tuesday, 29 April 2008
Written today and first published here
I sat up beside the teapot. It had been placed there by a servant and I’d been told to let it ‘stand’ for a few minutes. Steep? Infuse? Draw? Brew? No, ‘stand’ was the word I was sure I heard the girl in the pinafore say as she plumped the teapot down on my bedside table – rather rudely, I thought, in hindsight.
And now I noticed she’d forgotten to leave the tea-strainer with the cup, saucer and teaspoon. I called out: "Strainer!" in my long drawn-out high-pitched voice which I’m sure the servants found irritating, but I had not told the servant girl to forget something, had I? Indeed I wondered if she had forgot it at all but deliberately didn’t bring it. Again: “Strainer!”
It was then I noticed the teapot moved. Only slightly but clearly enough. I was staggered. I stared at it to make sure I was not mistaken, willing it to move back to where it had moved from, in an illogical hope for its previous standing as the status quo. I might then have been able to imagine it had not moved at all.
A teapot moving of its own volition was certainly an anxiety that a bedridden person like me would find difficult to cope with. It was best I did not believe it at all. “Strainer!” I shouted again, in an attempt to cloud my misperceptions with a recognisable routine rather than to elicit the missing strainer. This was not the first time that the strainer had been ‘forgotten’.
“Stop your whining!” the teapot suddenly said with a righteous gurgle of its innards.
“Pardon?” I said automatically, thinking that the servant must have returned with a different voice.
“Just stop your whining. The stew I’ve got inside me today doesn’t need straining. Get on with the pour!”
I was more upset by its distasteful reference to ‘stew’ than by the fact the teapot was talking to me at all. This represented more of a certain settling into a customary mindset of denial, I suspect, when I now look back at the events. I had also forgotten that the servant girl had forgotten the dunking-biscuits.
Was there a ghost inside the teapot – a ghost capable of moving it as well as speaking for it? This was not a question that occurred to me at the time. Only since.
I put the eiderdown over my head, hoping to blot out not only this single segment of time encompassing the teapot incident but also the whole of reality itself now and forever.
But the voice persisted: “I’ve got good quality stuff inside today and the longer you leave it the more it will stew.”
My head re-appeared over the top of the eiderdown like a bedraggled puppet or worried clown. It was easy to imagine myself as this downbeat figure through lack of any mirror in my room. Only the tiny curved bowl of the teaspoon gave any chance of a reflected image.
The spout of the teapot waved in the air like a tiny snake with, I imagined, a certain wild desperation to perform its duty of pouring: its only reason for existence.
I hastened to do its business. I can’t now understand what possessed me. I picked up the teapot. At least it could not now move of its own volition without me feeling it wriggling or twitching in my hand. I thought that pouring out tea – a generally tasteful art-form of upper class people like me – would expunge any remnant of uncouthness in the creature that I had earlier considered as out of my control. Civilisation is all to do with control. Taste and good breeding, too.
But instead of a golden shaft of healthy infusion, the spout exuded a syrupy blood-like substance into the teacup. I heard myself cackling with uncontrollable delight. I snatched up the teaspoon in haste. But it dropped to the floor. My head wagged from side to side like a funfair target and shouted: “Dunk it!”
I had obviously let things stand too long. They’re still standing now: waiting for hindsight to kick in – or waiting for a dream strainer.
The Mirror
The Mirror
posted Monday, 21 April 2008
Written today and first published here
The clock was easy about the mirror. He didn’t mind it being hung just above him where he tuck punctuatingly to himself on the mantlepiece. The lady owner of the house spoke a different language from the clock's but he had correctly gathered from the noises she made around her various gentlemen callers that she had bought the mirror as a bargain from a local antiques shop. The clock’s ability to look up or behind was not great but he did manage to ascertain that the mirror was fussily framed and more reflective than normal. It often took a mirror’s huge age, strangely, to enhance images upon its shiny surface to the most perfect pitch when one might otherwise have assumed visible cracks or skewed incidence. Time was usually not a good conditioner. Paradoxically, this mirror was so old and yet so very clear-sighted, the clock could precisely see itself by the mirror’s means even from such a sharp angle of squinting upward.
The clock clucked. He did not like what he now saw. He had long assumed that he was an antique of some standing, judging by what the lady of the house told her gentlemen friends about him in so many words. But within the mirror’s blank stare he suddenly feared he saw he was a fake – a clock unworthy of its own movement: a clock that, abruptly, may now not even be the ‘he’ that the clock had long thought he was. The small round aperture towards the bottom of the O-shaped dial-face – where the winding-key was regularly groove-inserted – appeared to contain more of a spindle’s retraction than its protusion. The mirror could not hide the worst of it, however. This was the fact that she, the clock, was not only misgendered but mistimed! She felt the springs tightly sprung within her newly aware body, straining against rather than in synergy with the cogs while all these moving parts continued to release – by piecemeal pizzicato music-box technique – the jewel-facets of the pronged hunker-drive in its own eventual course of misjudged time throughout the aberrant frictions thus created. The worst of all worlds, indeed. Not only faked but fucked.
The mirror chuckled to itself. It had no pretensions to life or even gender. The clock below it was a prissy miss; it had earlier been able to judge this as soon as the lady of the house had hung its own sloping back upon the chimney-breast just above the clock’s relentless tutting. The lady’s face was so close to the shiny surface that it could see her mole hair sprouting. It was almost as if it possessed a shaving-mirror’s powers of magnification. The sweat on the lady’s upper lip was clearly visible – as was the aggrieved strain in her eyes, as she sensed the arms of some man suddenly around her from behind. Valuable antique mirrors should not be submitted to such uncouth scenes, it thought to itself. It spat out the sight.
The clock fell from the mantlepiece with a crash; each ricochet of its many exploding parts became a kaleidoscope of animate and inanimate life that the mirror collected for a sensory posterity. One day, all mirrors, old or new, cheap or valuable, real or metaphoric, would steep themselves in a sufficiently deep reflection with which to unpick an antique mankind’s festering wounds once inflicted upon time’s substance if not duration. A bloodcount without a face.
====================
The Mirror (2)
posted Tuesday, 22 April 2008
Written today and first published here
Johnny did not like rooms with mirrors. He had a superstition that any mirror somehow collected his image, later to be released forensically and used in evidence against him. Johnny was a burglar and his own evidence for such a superstition was the famous occasion when an actual burglar many decades before was found inside a burgled house’s mirror just as if he were Alice trying to escape back from her nightmare into the real world. To weigh two nightmares in the balance, as that famous burglar must surely have done, he needed to turn a blind eye towards the general rule that all nightmares were equal in nightmarishness. To him, there always seemed a lesser evil, as if evil were relative. That famous burglar soon learned the error of his ways because prison in his day and age was a dreadful experience from which many of the inmates could only escape by committing suicide.
So, Johnny, once he was inside any room that he was intent on burgling, did slide and sidle with his back to the wall and then turned any mirror to face in its opposite direction by stretching out his hand to the edge of the mirror-frame so as to twirl it surreptitiously before it could capture him as its own property. Johnny did not want to become a famous burglar.
One rare day, Johnny found himself in a room with ostensibly no mirrors. He looked warily from corner to corner. Then with growing confidence, he strode into the middle of the floor where he made a few outlandish signs of contempt for Fate, then bowed to an unseen audience. He may not want to be famous, but he was a born entertainer. Silent applause was however all he ever received. He soon concentrated on the business at hand. There was no money to be had from miming to nobody.
There were oil paintings, jewellery-strewn dressing-tables, and other items that set his mouth watering. He was greedy enough to carry away more than he could carry away. And he often wished he had more than one pair of arms.
+++
I was inside the wardrobe as Johnny rifled the room in which the wardrobe stood. The wardrobe, I knew, was the most valuable antique in the room, but being so large, he would probably miss seeing it. The door’s wood was randomly knotted with an image that if one imagined hard enough could be turned into a dark human shape. This shape went straight through to both sides of the door. I couldn’t see it, however, as it was too dark within the wardrobe where I was stationed trying hard not to breathe for fear of discovery. It was no wardrobe for any Alice or Lucy to explore as it literally led nowhere. Hard done-by children had often complained to Uncles and Aunts that this wardrobe was the most boring wardrobe they had ever encountered. Little did they know its value as an antique.
There were many cloaks and suits hanging up against me. I could sense them in the darkness. Mothballs, too, in all the various pockets. I went to hold my nose for fear of sneezing. But I could not find my nose. I could not even find things to use with which to find anything! If any sneeze could sound like ice shattering like glass, then I must have had the worst cold possible.
I heard Johnny stop in his tracks. He was evidently surrounded head and foot with undivided swag. A mound moving clumsily doorward, except it was the wrong door in his urgent haste.
+++
A child peered out from among the cloaks and coat-hangers - and applauded.
One Day At A Time
One Day At A Time
posted Friday, 18 April 2008
When you have a lot of worries, a useful piece of advice is to take one day at a time. I often think about this and do my best to take into account the implications of taking one day at a time. You see, I have a lot of worries and countless people who worry me with their own worries and sometimes a stray worry floats by and my brain picks the worry from the air like a magnet and makes it my own worry – a worry escaped from a stranger’s brain or a previously ownerless worry or a worry that is not a worry at all but something disguised as a worry. On bad days, worries swarm en masse rather than separately: not a spattering but a blizzard: the worries not only of people who are still alive but also the residual worries of those who have passed away. Recently, I picked up one of King Henry VIII’s worries. Well, I could go on. So I should ‘take one day at a time’, thus to capture each day’s worries within that day and then allow the whole day itself to pass away – a day of worries vanishing into a cone of nothingness. Each day packaged and signed off. But they do say when you die you re-live all your days again. I can’t believe this is true. But it certainly is a worry.
Monday, September 06, 2010
Shirty
Shirty
posted Tuesday, 5 February 2008
Written today and first published here.
Weekend cottages were a luxury, in those days, and I could hardly afford the cost of the journey from London, let alone the rent on the journey’s actual destination. I always took a different companion with me, people I liked either for their conversation or for their body, but rarely for both.
It is delightful to tell you of one of the occasions when it was both. You’re probably thinking that I am concocting an easy style to convince you of its truth or this is effectively just a diary of wishful thinking! Well, think what you like, but the weekend I spent with Shirty is worth living through again, at least for me.
London is a big, big city, with big, big men
Who sit in offices and count to tenAnd one of these men was the one called Shirty. A pure crisp whiteness with ice-diamond cuff-links, starched detachable collar, high-tight tie, chest-pocket where he kept his mobile and a body-shaped neatness. He was a cool merchant banker.
And I took him to my weekend hideaway, because I liked the cut of his jib as well as the gift of his gab. Financial wherewithal was not even a consideration. Two handsome heads being talked with from each plump pillow of a country cottage’s feathered bed with a shiny wit between them as well a shared sleek skin – well, that was what it was all about with Shirty and me. A single moment. A focus of passion.
The place was haunted by a dog. I knew that. I have no excuses for not warning Shirty. This dog was a relic of a previous century and probably far beneath the attention of a modern couple like me and Shirty. A nagging bark that sounded from beyond the skirting-boards. I did not believe in ghosts. But how explain it otherwise? Only my easy style can gloss over the contradictions. I simply wanted to concentrate on this single prize of a weekend with Shirty. Next weekend would be time enough to worry about ghosts when accompanied, no doubt, by a more down-to-earth form of humanity than sharp-eyed Shirty.
He sat bolt upright at the first sound of snuffling beyond the bedroom wall.
“What’s that?” He was not used to being startled in his daily life. He normally had all corners covered. But not tonight.
I smiled. I secretly enjoyed the chink in his armour. I saw him sit bolt upright in the vague moonlight bidden by inefficient curtains. He had quickly slipped the previous day’s shirt over his head, hands struggling through the still linked cuffs. How could he otherwise exist in public view without a shirt? This was his persona. This was the way he kept his guard up in the bank’s boardroom. He even started counting backward from a whole pen of sheep he had just counted towards following our earlier pre-sleep relaxations together.
Then there came the slow relentless barking.
He jumped from the bed and walked over to the wall whence the noise seemed to be coming.
“Don’t worry, it’s only the ghost.” I smiled to myself. I had forgotten how satisfying this was – to watch my ‘guests’ become bewildered by something so outlandish, something so utterly un-London.
Ghosts are traditionally white glimpses of intangibility.
Ghosts are surely not guttural sounds like any old dog that has lost its way in the time tunnel.
Over the years coming here, none of us (my guests and I) get much sleep after the initial disturbance. Tonight was no exception. Shirty was grumpy as he wandered round the kitchen muttering incomprehensibly to himself of this and that. Probably the first time he was at a loss for real words. Not in character at all.
I’ve just remembered why the Shirty weekend was one to remember. This was the first occasion when the ghost dog actually appeared, rather than just bugging us with its barking from behind the wall. A wall dividing what from what? That’s a good question. It was the bedroom wall but it was difficult to know what was on the other side of it because I had never been slim enough to slide between it and another wall that was half built into the hillside and half purely exterior to the open air of the countryside. A dank, dark slot where God knows what might lurk.
The dog turned out to be dressed in a ruffly shirt befitting an earlier century.
I drove back to London next day alone. Shirty somehow no longer seemed to matter, as if I had forgotten he existed at all. Only writing all this out for you has reminded me about him.
They do say a dog now haunts one of the bank’s boardrooms in the City. But that is only hearsay, because nobody has actually seen it for real. The barks however are quite useful as a sort of abacus of sounds that befits financial calculation.
And I have gained a new pair of sparkling cuff-links. I shall probably give them to my next ‘guest’ for a country weekend ... to show how much I care. And with the dog exorcised, we could both relax and enjoy things without any grumpiness.
THE NIGHT GNAW
THE NIGHT GNAW
posted Sunday, 23 December 2007
THE opposite of spit is swallow. There’s an animal in the room that’s gnawing the legs of the bed.
Sandra woke with a start - with those two fleeting images: all that remained of her dream.
Indeed, she usually remembered nothing of what events her sleep surrounded.
But tonight was different. The darkness glowed brighter than her luminous clock beside the bed. There was a lambency filling her eyes. She was unaccountably crying - the tears acting like tiny lenses, focussing the dull shimmer upon her retina, almost blowing the optic fuse.
She felt sick. But not with food. More with an over-fill of her own saliva - welling up like clear syrup from every corner of the body. Her pores seeped this fluid, too, like the slow-motion spitting of miniature volcanoes. Surely this was the dream and the animal-thing gnawing the legs of the bed was within real life: an event she’d left behind when falling asleep.
But, in her real life, there should not be any animal in the whole house, let alone in her bedroom. Was the real life she’d left behind -- to fall asleep and enter this dream of dull shimmer and bodily regurgitation -- derived from earlier intakes of food?
The real waking life she’d left behind surely must have an animal gnawing at the legs of her bed ... because she was soon half-awake and half-dreaming and heard it coming from outside the dream.
Sandra must now fully wake up. To face whatever it was. She called this animal (whatever it was) the Night Gnaw. But that was only because she called it this name from within the dream, the dream from which she was now trying to escape in order to cope with the danger represented by the Night Gnaw. She would no doubt call it something else in real waking life. To call it the Night Gnaw was decidedly a very dream-like thing to call it. So she must be dreaming to call it a Night Gnaw. Meanwhile, she was terrified that her sleeping body - the body that contained the mind that called it a Night Gnaw - was threatened by the thing in real waking life she currently called the Night Gnaw.
She was sweating. Her sleeping body felt slicked and slippery enough for the Night Gnaw to slowly - oh so slowly - swallow her whole, like a python with an ass. Then for it - even more slowly - to extrude her back out, covered in the thick curds of the Night Gnaw’s own bodily fluids - like a slow motion spit.
She must wake up before this happened. She needed to face the Night Gnaw that she did not dream about.
The bed suddenly collapsed. And the darkness lost its lambent glow. Sandra’s snores were no longer the dry gunning that they once were but more the rhythmic slurps of some animal with deep indigestion. Trying to choke up life itself.
(unpublished)
The Old Familiar Places
The Old Familiar Places
posted Sunday, 23 December 2007
It was like drowning in memories.
Surely not that cliché about the whole of your life flashing by your eyes as you suffer death by drowning? I could rarely remember much about my life at the best of times – but like most people, memories of things reside on some back burner waiting for their turn to take a curtain call.
But my memories were fast asleep dreaming of things not themselves. Memories with memories of their own. False memories. My real memories having unreal memories as dreams. A concept I could hardly grasp.
I’d rather depend on the old familiar places rather than places that never ever existed other than in the pipe dreams of those very familiar places hatching up unfamiliar places for themselves. Unfamiliar places disguised as familiar ones. Unfamiliar, I claim, because, they never existed. Until now.
I look out from inside my head away from these thoughts on paper. And wonder if I am the same person who wrote them down. I look down again to read them – and the print has changed in the meantime. The words now say different things from what I originally intended. Except they seem to be the same words, but words with different meanings – and when they are linked together in what I can only describe as sense-patterns, they keep flashing from one narrative sense to another, like a pulse. Or a strobe. Memories strobing. Faster and faster.
Could I really be drowning in memories? The words seem to indicate that I am drowning in memories. Slowly enough to record the process. But too quick to understand what is going on.
People’s faces flashing by. Loves and hates interchanging. Various stages of myself stripped out in separate essences of self, none connected between. The only consistency is the ladder or tear in the very texture of the words as laid out on the page. They seem to be dividing like a Red Sea to leave an emptiness among the sense-patterns. A false syntax. A gap-strewn paragraph of thoughts and mis-thoughts. Memories taking over my mind with a force my mind can’t withstand even though it is the same mind that is creating this strange onslaught on itself.
One of the faces flashing by in the stream of consciousness I drown in is you.
Simply that. The whirling onslaught slows to a silent last gasp of meaning. A face I recognise. It starts out, however, as a face without a feature. A white empty plate or recently emptied bowl. Then gradually a couple of eyes prick out. Wide rolling eyeballs that radiate an expression of knowing. Knowing me, if not itself. I say ‘it’ because there is no other word for a gradually emerging ghost of a person.
Once it’s fleshed out by the ever-building flashes of identity that become stuck to it then I can begin to decide on you or he or she or me. I suggest me because I’m not yet convinced it’s not a mirror that I see flashing into a steady state of existence around my face. Steady state rather than an explosion or implosion of a big bang.
I look down at the words again. I leave the slowly emerging features of the face (your face? my face?) to thicken and define themselves.
I feel the words may give me some clue as to the true resemblance of the face to whom or to what. The face itself is deceiving me as well as itself. Only the words can tell. The words will tell me who it is. And I notice that the crack in their texture has widened as if the tectonic plates of the sense-patterns are ever shifting to reveal a more meaningful pattern that is a white shape rather than a set of words describing a shape. A real shape rather than a shape imagined by the words I write.
The whitening crack discards letters as if they are dead insects while it lays the paragraph into a flatland of nothingness. Alphabets fall off the edge of the paper like dead lemmings in full zombie flight.
I shriek inwardly with fear. I seem to be heading towards some old familiar places that I once inhabited but had long since put out of my mind’s memory for fear of returning to them in the full flood of true present memory. Memories that are forming as new memories even as I think them.
When does a memory become a memory? What is the time lapse needed to make a present event into a memory. A new unfamiliar place into an old familiar place. Place or face. Because a face is a sort of place. It has its own geography, its own secret alleys and hidden corners. Its own inhabitants sitting behind the eyes as if these eyes are windows to some apartments in a city’s high rise property.
The little people look from the two eyeball windows in the face, their own eyeballs rolling in their heads as they see some old familiar places for the first time. One hangs a huge rubbery nose between the two eyes as if hanging out a flag for a jubilee or something like a jubilee. A mardi gras. Or a fancy-dress festival that the city holds every year. The city is a strange one to them. It’s certainly not one of their pet old familiar places.
Faces that find themselves in a foreign place.
I have taken my eye off the ball. The words have escaped my pen into new uncontrolled configurations of syntax and non-syntax, with an ever-widening gap or crack that forces me to disbelieve that any meaning at all can bridge such a hiatus.
And, in despair at controlling the words, I have raised the head where I live, indeed raised it towards the ceiling, rising not with mere sight to see the rivers of geography in its cracked white plaster surface (otherwise blank) - but the head actually rising in the air along with the sight itself to see the ceiling close up.
Either my neck has elongated like a giraffe or the head has actually separated itself to float up towards the ceiling.
One particular crack in the ceiling is so deep I can see daylight through it. And my sight or the head that carries the sight escapes through it into the open air – and I am a mere speck of consciousness being wafted by the wind. At least I am safe from those words now. And from the old familiar places of meaning that each word familiarly contains, despite the horror that they would otherwise convey with the unfamiliar meanings that they felt themselves duty-bound to convey to the unwary such as I who releases them on to the page.
Each dot, each pixel of the marks is just another me. Just another beginning of a face. Drowning in memories, in anarchic thoughts and in the forgotten white airinesses of space where familiarity breeds contempt for any steady state or big bang. Because neither is right. The old peculiar place of dreams dreaming dreams that represent our existence, yours and mine. The place that launched a thousand … no, an infinite number of familiar faces towards their inevitable sinking and drowning in the white water frenzy of words.
I stop writing. Then true horror. Because I don’t stop but carry on beyond the end and reach a new end that still doesn’t stop me because the internet knows no ends, only a weave of spiders who try to break my fall.
(unpublished)
Daughters
Daughters
posted Monday, 12 November 2007
First published 'Dagon DF Lewis Special' 1989
There was a wooden tree at the bottom of his garden. He could see it from his bedroom window, just where a painter would have placed it to set off the perfect balance and perspective of the landscape. The sunset was in oils, too, bright oranges and reds streaked across the bottom of the darkening sky.
His daughter was still outside rolling her hoop around the tree. She was only eleven. His elder daughter, showing signs of her age, remained in the shadow of the toolshed, whilst the one with the hoop glowed with the last of the day’s sunshine. He could hardly see what Melissa was doing in the wedge of darkness thrown out by the side of the shed. Spinning her large wooden top, it seemed, with a whip far too long and wild for its purpose.
Alison had by now fitted the hoop around her waist and was snaking her torso to make it spin like the golden ring of Saturn.
Gradually, the colours in the lower sky faded, such as a painted canvas would if left too long in direct sunlight. A wispy splodge of white in another part of the heavens hinted at the whereabouts of the moon.
He opened the window with a sash cord and called to his daughters that they should get their skates on: the dinner gong was about to go. They waved at him, Melissa having now come out upon the open lawn of closed daisies. The whip trailed behind her, a vestigial tail. Alison’s hoop dropped from her tiny waist to the ground, as she smoothed down the front of her frock. Both girls now turned cartwheels across the lawn towards the house, their limbs glistening in that sweat-light with which a summer’s enduring dusk is often imbued.
He’d not been far off the mark with his timing, for he heard from far below the gong’s characteristic resonance: the number of strikes was meant to indicate tonight’s menu: one for rare roasts of meat, twice for Royal Salad and High Tea, three for fish stew and, once in a blue moon, four for ... Chef’s special, it was called: and the ingredients were as secret and mysterious as the half-darknesses upon each descent and landing of the winding staircase.
As he tapped his way down, he could hear the girls squabbling in the downstairs bathroom: their mother burnishing their faces with unperfumed soaps. Melissa was far too much a real madam for this treatment: she should have flannel and tuck towel of her own. Alison was still too young to be left to her own devices, he conceded, her cheeks often bearing the grimy skidmarks left by an endless summer evening of play.
He knew the way by heart: as he unfalteringly made his entrance into the dining-room, he felt the perfunctory kisses of his daughter’s greeting. They loved him, of course, but girls being girls they had other thoughts on their minds. He . .. well, he painted with his mind. How else could he have borne the onset of blindness? He lowered himself into the chair at the head of the table.
He heard knees creeping across the Persian carpet towards him ... under the long table. Then he could feel nuzzling mouths beginning to nibble upon his finger-ends that he naïvely laid on his lap.
A Walk Through The Forest
A Walk Through The Forest
posted Tuesday, 6 November 2007
A fiction by DF Lewis written today:
A Walk Through The Forest
I changed the rhythm of my pace as I entered a special part of the Wood that the map called Forest.
I waited for reaction to the opening of my ghost story but none came. There was nobody to react.
It’s an easy note to strike – pretending that my narration was being made to a gathering of like-minded people in the cosy firelight of a civilised turn-of-the-century parlour, each participant eager to enter into conversation with me by constructively interrupting my narration, entering such discourse as easily as they might have entered the trees of the story: a story made more believable because of their awestruck, rapt attention and interpersonal responses to it. But I was simply telling the story to myself so as to have my own company in real time while still actually within the story’s woody gloaming itself. You see, I did not want to believe it. Belief would have been too frightening. And if I told it to others, I would have been duty-bound to believe it, so as to give the story an edge of suspenseful credence the more so to entertain my audience.
I did not want to believe it, I maintain. Quite frightening even if this were half-believable; more so if it were truly real.
The trees were thickening around me as I spoke. Or should I say, as I strode? I tried to switch my mind to other concerns – was the parlour (in which I would have preferred to sit telling this story to like-minders) as veritably turn-of-the-century as I had earlier assumed. If so, the turn of which century? The cadences of the room’s decorations and in-built electronica indicated 1999 fast becoming 2000 in the mistaken fear of end-of-the-millennium changes, a fear that was so prevalent then. But looking at the listeners, they were dressed as if it were 1899! One was dressed like a Victorian Vampire. But, of course, nothing in the parlour could be real. That was just my daydream to help me withstand the Forest that the Wood had now become.
My map originally showed me entering a sparsely and intermittently wooded suburban area. But now it indicated that I was beyond the pale of this outer countrified residentiality of a gaslit city and was soon to be bodily overcome by trees without even glimpses of house-lights between the trunks. Earlier, I was amidst topiary and rigorous tree-surgery. Now it was as if I had grown an unruly head of hair and I had no narrative comb to untangle it.
“Sorry, why were you walking there in the first place? I didn’t really hear you begin the story, as I got here a bit late?”
I stared at the man who had interrupted me. He was squatting on a stool too near the fire for comfort, clutching an umbrella with which he had bustled into the parlour. Indeed, because of the firelight, he was the only person I could now see clearly, with the dusk having abruptly turned the parlour windows tantamount to night-blocks – and nobody had evidently thought to switch on the parlour’s new-fangled lights. The other members of the audience had become shadowy presences subsuming the characterisations I had given them before the man with the umbrella had entered the room. I did, however, sense I heard mounting mutterings among these shadows, either agreeing with the man’s question because they, too, had missed at least some of my preamble or complaining that he had spoilt their concentration of listening with his interruption.
“You may leave your umbrella in the hall,” I suggested, more to take the fanning wind out of his sails than to offer helpful advice. In truth, I, too, had forgotten how my story had begun, and I merely deployed delaying tactics. With a face flushed by embarrassment or by fire, the man scuttled from the room. My own fluster thankfully was disguised by the autumnal gloom having drained all colour from me.
I laughed; my daydream seemed to take on a life of its own: an autonomous narrative course quite outside the reality of my situation. I shivered as the trees around me shrugged their shoulders in the re-freshening of the wind. It was as if they scorned ... spurned my laughter.
A walk through the forest. This was, however, no routine constitutional after an unduly heavy supper. I felt I was feverishly intent upon leaving somewhere for good or eager to arrive at a permanent abode after a long period of idle wandering. I had only the rhythm of my pace to give any clue as to whence or whereto I went.
Easing the pace to slower than a walk, I stared at the map in the scratching-light of a match. The place called Wood seemed to spread from amid the last housing estate towards the edge of a place called Forest, the two places’ relative tree-densities represented by the varying of cross-hatching between irregular margins.
I looked around. Were they following me? My language was often over-florid. My thought-patterns retained their own form of diverse cross-hatching. I had no hope of being followed on this rite of passage. I was alone. Unutterably alone.
But ghost stories could not contain such loneliness, if only because of the ghost’s presence itself presenting a company of sorts to a lonely narrator. Given Victorian beliefs, a ghost could be just as sentient as those who were not ghosts. But...
Pace for pace, I suddenly felt we were mutual shadows, the ghost and I. A Wagnerian quest for each other.
“You said you were alone, didn’t you? What was it you said, unutterably alone? But you did utter it! And now you admit there is a ghost to keep you company. Not that I believe in ghosts!”
The man (now without his umbrella) had returned to his fireside position and positively laughed at his invocation of my inconsistency. He was evidently trying to get his own back.
I tried to spurn his faulty logic by returning to the Forest. The map now told me I was in an inner part of Forest called Wood. I could see through the trunks towards vistas of a new electrified city. I would soon be out of the Wood altogether without having to retrace the rhythm of my steps. Not through the middle and out the other side – but deeper towards the middle where, strangely, things now became clearer.
A crack of gunshot. I fell to the ground dead. I felt a comb being dragged with difficulty through my shaggy head of hair, and heard the crackle of branches as shadowy story-arsonists roamed in my wake. Then the stench of flesh. Thankfully, a kindly ghost sheltered my body from the rain with the unfurling of his portable parlour ceiling.
Sunday, September 05, 2010
Two recent sayings by DFL
Two recent sayings by DFL
posted Wednesday, 19 May 2010
"...there is much discontent built into a fragile certainty of faith but much potential hope in resilient uncertainty."
"One man's obfuscation is another man's struggle to express the inexpressible."
Saturday, September 04, 2010
Harvest Time
posted Tuesday, 29 May 2007
HARVEST TIME… by Gordon Lewis and D.F.Lewis.
First published in 'Enigmatic Tales' 2000
I picked my way slowly up the crumbling stone staircase winding within the tower of a ruined castle. My throat constricted with fear as I ascended, knowing that when I emerged into the sunlight I would be terrified by the height, not just that of the castle wall, but that it would be accentuated tenfold by the prominence the old Norman castle was built upon. I edged out of the opening at the top, keeping my back firmly planted on what was left of the wall. I surveyed the scene as I did 30 odd years before, when, as a 16 year old lad, I had no fear of heights. Nothing had changed except my age. I was trying to recapture the time I stood atop the tower without fear, aiming to perform a daredevil stunt just to impress a group of girls picnicking within the precincts of the castle. It was just one of the girls I really wanted to impress, a girl named Dorothy... Dorothy Smith, the girl we boys called ‘Goldilocks Dora’. The girl with the startling blue eyes and golden hair, so unobtainable to us lesser mortals. It would have been fantastic just to say — ‘I once walked out with Dorothy Smith, the prettiest girl in the world.’ So she seemed not only to me, but to any of the adolescent boys for miles around.
* * *
More than three decades later I stood there again, shaking with fright, in spite of undergoing therapy to try and conquer an accursed phobia. Something to which I had become a victim after an accident that left me lying in a coma. A coma whence I was lucky to emerge, not just alive, but in fairly good physical shape… but leaving me with a morbid fear of high places... Acrophobia they called it, something I had to live with the past 3 years before leaving Fremantle in West Australia to visit my birthplace, to satisfy a longing, or as Welsh people say, my ‘Hiraeth’ for the homeland.
I composed myself to a degree, knowing I had the opening to the top of the stone steps within inches of my feet. I just wanted to look again at that perilous crossing over a narrow parapet, to what was left of the castle keep, approximately 40 yards away from the tower. It seemed impossible that it was I (albeit a younger me) that made it across without falling. Not many had succeeded, especially without the aid of ropes. One young man had fallen, luckily breaking his fall before landing on the steep grassy slope, to go tumbling down to a small copse at the foot of the hill. He however, was confined to a wheel-chair for many years, recovering to walk, but only with the help of crutches.
The day I successfully traversed those hazardous yards long ago I recalled with clarity — just like an action replay of the whole occasion. My plan was to move along just a few yards, pretend I was going to ‘chicken out’ after stumbling, but holding on, whilst calling for help (not that there would be any). I wanted an audience… so attracting the attention of the girls, in particular ‘Dora of the golden hair’.
All went according to plan... Regaining a foothold, I continued along the parapet, in front of my captive audience. I had no fear and I just knew I was going to make it... And make it I did, to reach the tower. My energy was spent, but I was so elated, I recovered quickly to make the comparatively easy descent to the inner court yard, expecting some kind of applause. But there was none. All except one of the girls walked away to continue with their silly picnic. I didn’t mind, for the one remaining was my Dorothy... or so I thought!
Her vivid blue eyes were flashing, not with excitement, but anger as she spoke... I think for the first time directly to me on a one to one basis. To say I was taken aback would be putting it mildly, as the girl of my dreams said those fateful words.
“You silly bloody fool, Denzil James. You could have broken your neck, which is a pity... Go back and do it again, this time you may kill yourself, and a good job too... I’m tired of you ogling me in Chapel every Sunday! What makes you think I could walk out with you, is quite beyond a joke.”
Crestfallen, my world in tatters, I walked away like a whipped cur with a tail between the legs, until I looked back to let my eyes traverse the parapet I had inched along; at least I had accomplished something
Mind you, when I recall what I looked like then, it’s hardly surprising she wouldn’t give me a second glance. Forced to wear those silly steel-rimmed glasses to a correct a problem with my eyes, and like most of the boys of my age, I was cursed with the adolescent acne, earning the nick-name of specky-four-eyes.
There was never another opportunity to try to impress that lovely girl, for soon after that episode in the Castle, I was devastated when the news came that Dorothy was leaving the area. Her father had secured a good position in a mining area of Yorkshire. Within weeks they were gone. Dorothy was now more remote than ever. My intention to smarten myself up once my eye treatment was succesful, and acne was no more, would be to no avail.
* * *
It wasn’t across a crowded room I saw her face. That face that had haunted me over the years... At least it looked like the face I remembered, though more than 30 years had passed since I saw her looking up at me from the courtyard of that ruined castle near the Welsh border. I had returned to London after that brief Welsh visit to my birthplace, to re-live the days when I was a foolhardy specky youth.
The face I saw, older of course, was featured in a life-sized portrait of an attractive woman in the window of a fashionable London book store. It was an enlargement of the dozens of photographs on the covers of books displayed, in neat arrangement around an announcement advertising a book-signing by the author of the book; just three days away from the day I stood there gawping at the photographs in amazement.
Though the name was not that of the girl I knew so long ago, I was convinced it was she, none other than Dorothy Smith... that was...!
Had I not gazed on that younger face from a distance, obviously something of which she was aware, even though she called it ‘ogling’. Those vivid blue eyes were still there; everything about her was how I imagined the girl would be — but there was the name — obviously a pen-name with a play on the words of her maiden name. The title of the book too was reminiscent of those heady days of Autumn in farmlands around the Brecon Beacons where we grew up, ‘Once upon a harvest time’ it was entitled, and Dora Goldsmith was the writer of the book displayed. The photographs just had to be of ‘golden-haired Dorothy Smith’, the girl I knew over three decades before.
One thing was certain, I would be at the book-launch and the signing that followed, but waiting for a quiet moment when I wouldn’t be hustled along in the rush for a signed copy… if indeed there was a rush… but, of course there would be a rush even though I now knew nothing about the author.
* * *
It was quite impossible to get anywhere near the pre-sales party, it being an invitation only launch. I was surprised that so much interest had been aroused by the book, so had to content myself with biding my time, impatient to prove that I was right in my assumptions.
I crossed the busy London street to find a place to eat; apart from feeling hungry by this time, there were three hours to kill, even before the scheduled time of the book sale. I found a window seat in a rather swish restaurant opposite the book shop, where I intended to spoil myself, celebrating, I hoped, a momentous occasion.
Money was of no consequence and, I supposed, no matter how rich and famous Dorothy had become, I would not be overshadowed by her success. My wealth had accumulated, not just by my own efforts. My father had been a a small-time builder in his birthplace at the head of the Swansea valley. Deciding there was more room for his skill on the continent of Australia, he applied for entry for himself and his whole family. It wasn’t on just a whim that he decided to uproot us all; he had found out that his skills would be well accepted in the growing country of Australia. Some months after Dorothy Smith left the valleys, I was on my way... half the world away to Perth in the antipodes.
Both my brother and I took to the life and the business of property building in a land hungry for well built new homes in the booming years of the mid twentieth century. The construction firm my father joined went from strength to strength, taking him with his two sons on his coat tails to eventual directors of a successful enterprise, all of us becoming rich beyond expectation during the 3 decades of frenzied building for those in need of fine homes. My father died after 25 of those years, and I succeeded him as managing director, until I met with an unfortunate accident. Nothing as spectacular as falling from a high building, but a freak accident whilst out riding. My horse was spooked by a snake, and I tumbled off his back to strike my head upon a rock. I lay in a coma for several days to recover without a great deal of damage, except that the brain injury had brought on acrophobia. Not something that would affect my life to any great extent, but a good reason to retire early to realise a cherished ambition to travel the world, making my first priority, a return to the ‘Land of my Father’s’. I had remained a bachelor, not that there had been a lack of suitable partners, but I had been disinclined to tie myself to one woman. Certainly, I was not carrying a torch for Dorothy Smith; I had forgotten all about that teenage crush… that is, until I saw those photographs of her, and knowing she was across that London Street, and soon, I would confront her — not as the specky-faced, bespectacled young Denzil James, but as a bronzed, well- built, set-up man of 50 plus with a Welsh-Australian accent. Of course I knew she was most probably married or committed to a family, but at least we could be friends, anyway. What I wanted to see most of all was the expression on her face when I confronted her.
There was no pressure for me to leave the restaurant. I had ordered several courses and it was way past 2 o’clock when I had the final coffee. I paid my sizeable bill and walked out into the May sunshine to head for the book shop, to what I hoped would be a very pleasant and eventful meeting.
I wandered around the vast book store, occasionally glancing into the department organising the sale of Dorothy’s book, waiting for the moment of a lull in the sale — the moment that didn’t come. I decided to tag on the end of a small queue, hoping that no one tagged on to me, but I was unlucky in that respect… then it was my turn.
“Whom shall I make it out to,” said the author, with the distinct lilt of a Welsh accent, certainly more than I had been left with after mixing with the folk ‘down under’.
“Could you please write to: You bloody fool Denzil James. I hope you break your silly neck.”
There was moment of shocked surprise before she looked up into my eyes, and I knew I struck a chord — knew for certain that it was definitely the woman into whom the girl I knew as Dorothy Smith had blossomed.
“You... You,” she stuttered, completely taken aback. “You’re not the Denzil James, the one with those funny glasses and all those spots?”
“Yes the one, but not quite the same. No glasses or spots, the one that couldn’t keep his eyes off you in chapel. Or was it ogling you called it?”
Aware that those behind me were getting restless, I quickly urged her to meet me later, in the same restaurant across the street.
“Please say you will, if only for old time’s sake… there is such a lot I want to tell you, certainly so much I want to know about your obvious success at this writing career of yours. You certainly have made a name for yourself, even if you have changed it from the old days. But somehow I knew you would be as brainy as you were beautiful.”
She became embarrassed, and something behind those blue eyes told me all was not as it seemed; there was just a hint of sadness too, as she hurriedly scribbled something on the flyleaf of the book I placed before her. As she handed it to me she said:
“I am scheduled to finish here at 4.30, I’ll meet you outside the store soon after that time... Thank you for buying my book...” she said as she attempted to smile at the customer behind me...
As I left the book store, I suddenly wished I had never attempted to meet Dorothy Smith (aka Dora Goldsmith) — things (or, especially, people) rarely lived up to long-held expectations. It was like remembering a jewel and finding a fossil; I had been blinded by her entourage at the signing; I could not help fretting over the trappings of her fame and, now I realised what it was, over her mock willingness to extend any contact with a mere punter, like myself, a punter who had, by some accident of fate, known her in a more impressionable epoch — more impressionable for both of us.
During one’s youth, one spreads seeds in a seeming fertile ground with the (perhaps unthought) hope of harvest in the future. Each act an investment. Each human-to-human touch a search for something other than itself.
Now was the time to cash in. But was there? Only a woman I hardly recognised — someone who had never been able to spy the worth beyond my specky skin. So why should she spy anything but the crust of my middle age? Would I ever dare give her the pleasure of meeting me after she finished with the book signing? I would simply slip away. That would be best...
I found myself at the entrance to a tube station. Even in the pre-rush hours it was as if I was being borne along on the wave of the ever-hurrying London crowds, to find myself descending to the depth below the streets of the city, not knowing where I was heading. In spite of the milling crowd I felt I was not alone, as if someone was watching my every move. A feeling I had sensed ever since leaving the street of the book store.
I teetered on the edge of the platform. The vertigo of acrophobia had never attacked me before at such a low level. Heights were comparative. But, here, simply a few feet above the throbbing rails...
I felt a gentle touch on my shoulder. I turned to see if this were a precursor to some ‘care-in-the-community’ eccentric, teasing with his (or her) fingertips before finally shoving me into the path of the approaching train… or was it somebody helping me to regain my balance...?
I somehow imagined it would be Dorothy, having followed me from the book launch… eager to renew our encounter. It was not her, Or it was her. I couldn’t be certain. A figure peeled off from the crowd before I could focus on the details that made a shape into a recognisable person. It was as if the rest of the eager passengers regrouped so as to protect the departure of whomsoever had thus helped me from the dizzying edge. I tried to recall the vivid blue eyes and the angry words scolding a certain Denzil James for his foolhardiness...
I determined to return, after all, towards the uncertain venue she had half-heartedly suggested for our meeting. Either she would be there or she wouldn’t. Either I would be there or I wouldn’t.
Perhaps two strangers would meet each other, instead.
Whatever the case, within the scope of the next hour, I would reap what I had sowed.
I found myself out in the daylight again, but having wandered aimlessly from the Street I needed to be in by 4.30, I had become disorientated, then uncharacteristically decisive, I looked about me for some prominent feature above the skyline of the stores opposite. I reached the curb edge with the traffic flowing like a slow wall of water. My head whirled and I felt the same sensation I had experienced dozens of feet below my feet. I swayed like a tree in the wind as, again, I felt that presence, the touch on my shoulder. Was it restraining, or urging me on? A taxi-cab pulled up just feet away from me, and as it discharged its fare, I became its next passenger. Remembering the name of the famous book store, I called out its name to the cabbie, and we became a part of the traffic tide.
I kept looking at my watch as the minutes ticked away towards the time of our meeting, and as half past the hour of four was minutes away, I was almost pleased we were not going to make the meeting. I accepted that Dorothy Smith would remain the girl I knew — I would never know the woman she had become... Did I really want to know the woman? Maybe it would shatter the illusion of the golden-haired girl Dora.
It was almost 5 o’clock when I paid off the cabbie. I walked to the entrance of the book store just to look once again at the life-sized portrait of the woman, the writer whom the girl had become. The window was empty around the portrait, so her book must have been in great demand. The book...? Where was the one I bought? I suddenly realised I hadn’t picked it up after Dorothy had signed it for me... Did I really want to read it? Of course I did; at least I would one day display it with a touch of the theatrical, showing it to friends, whilst boasting that I knew her when she was a slip of a girl.
Of course it had to happen... I turned to enter the store to see if my book had been left for me... and there she was, walking towards me, smiling a strange smile, forced in some way as she nervously glanced at the young man who was ushering her along.
“It was nice to see you again Denzil. Sorry... can’t stop, I have left your book with the manager.” Then pointedly she added. “I wrote what you wanted on the flyleaf... Perhaps we will meet for a longer chat one day.”
The stern-faced young man’s eyes were restless. After he examined me closely, his eyes were darting around… looking concerned, as if waiting for something to happen. Behind them, was another watchful man, almost a clone of the one holding Dorothy by the elbow. I managed a hurried ‘thank you’, before they hurried past me and into a waiting car.
With that she was gone... At least I had the book. Perhaps there would be something within to indicate when we could meet… there had been a wealth of meaning in that last thing she said...
There was indeed a sheet of paper between pages 112 and 113 (a sheet of similar size and quality as the book’s pages themselves). I assumed it was entirely blank until I discerned — in faint 4H pencil lead — the word ‘Hiraeth’. (I imagined the barely tangible person I sensed was watching me when on the underground station platform had started to gently write it, leaning on the paper hardly at all). It was a clue — or rather, a spur —for an indefinable longing… to understand, to find, to renew, to re-enact... Love would always be a memory, unless I grabbed it as it came around again like a comet...
This word ‘Hiraeth’ which I found faintly written in the edition of Dorothy’s book I now owned (and as yet, not read) a word teasingly etched upon a wayward leaf, should have drawn me ineluctably back to the valleys and hills of Wales. After all it was a Welsh word. It could have meant something important, yet tantalisingly distant, dizzingly swaying above in the highest heavens. It meant a lot. So much more if there had been a date for a meeting where this tale began. The word seemed to encapsulate the steel rimmed specs, the specky skin, the spooked horse, the archipelagos of acne. Yes, the pitted map of a visage so familiar to mirrors and the still waters of ponds.
No, I was not drawn back to Wales, though I had spent a good part of my life in Australia, that huge sprawling continent of the lowest common denominator... I now needed more focus, more point. And, strangely, I was drawn towards France (Paris, in particular) yes towards the Eiffel Tower. I knew I was aiding and abetting Fate, an often pointless Fate, but there was (in my dreams at least) a vision of that sharp-rearing, age-seasoned, land-locked, sun-gilt sword of tapering, surging power skywards...
Our assignation (Dorothy’s and mine) I just knew (how? — I still don’t know) was to be in the vicinity of this tower. But, first, imagine my journey towards this all-important venue. I took the ferry — eschewing the Channel Tunnel, a route too reminiscent of the recent ‘fright’ in the depths of the London subway — but I still managed to sense sidelong, sloppy shapes and figures going in and out of focus as they seemed to follow me about on the vertiginous deck, caused by the surge of those ever present cross currents beneath what appeared to be an unusual English Channel millpond and most real passengers were above deck, in the fresh air. I tried to shrug off my paranoia about my pursuers. They seemed to have specky skin, although it was difficult to determine whether there were any other distinguishing features. They reminded me, somewhat, of the lower-scale employees of the family firm inAustralia — people I had usually no contact with, but now they were coming home to roost...
I tried to blot such people from my mind — as my train from Calais approached the purlieus of Paris.
It was quite dark when the train pulled into the Paris railway station, and once again I had to rely on a taxi-cab to whisk me off to the hotel I had booked to stay in. It had been my intention to visit one or two places of interest that evening, but ‘Maytime in Paris’ wasn’t all it was cracked up to be. The view of the distant Eiffel Tower at night was just a blur of twinkling lights — and the occasional flash of lightning — through a curtain of lashing rain… there was always tomorrow, and I had all the time in the world, or so I supposed.
I lay on my bed, not yet prepared to retire for the night. I remembered I had only skipped through the book I had bought; it really wasn’t my ‘cup of tea’; historical romances were something I never could get interested in. I had accepted that the faintly written word ‘Hiraeth’ was not a message at all, and my reason for this Parisian visit was for another reason entirely.
It had been suggested by my mental therapist that my condition need not be permanent, and that I could cure myself gradually by ‘biting the bullet’ so to speak. His prognostication was that on my trip to the other side of world I should visit high places that were tourist attractions where there were others enjoying the experience, old and young alike without fear, hopefully helping with their presence. Providing there was easy methods of access, I would gradually become used to being not afraid of heights... Places like ‘The monument to the fire of London in Pudding Lane’ — the castle near my birthplace — even ‘Snowdonia’ in North Wales — and the real reason for my visit to Paris, ‘The Eiffel Tower’. The Welsh castle and The Monument I had already tackled, and I have to say, they had not helped that much. I was not at all comfortable, but I had at least reached to the top of both, but without looking down! Not even a quick glance. It was my intention to take the lift (just a stage at a time) up the Eiffel Tower, but something made me hurriedly alter my plans.
I knew nothing of the woman Dorothy had become, so I turned to the very last page of the book, or rather the notes on the protective jacket, where it was normal for a brief pen-picture of the writer to appear; something I had hurriedly read just once before. There was no mention of a relationship, family or such, just a brief synopsis of her career. Success in journalism and the books she had written in her beloved Wales... not in the area we both grew up in... but Snowdonia, by amazing coincidence, Llanberis, the place I intended to visit again, determined to reach the summit of Snowdon... the easy way...by the mountain railway that began its ascent to the top from that little Welsh Parish at the foot of the mountain. But why the haste...? There were some words indenting the print from the reverse of the glossy book jacket. Turning the flap over there were two words of Welsh... ‘Mehefin Pedwar’. I racked my brains trying to remember the Welsh lessons at school. I had been brought up in an English speaking household, but I remembered numbers in the Welsh language, also the days of the week and the months of the year. What Dorothy had written was the date ‘June 4’. Could it mean she would be in North Wales on that date? I couldn’t for the life of me see a reason for all this secrecy. It could only mean she wanted to be there without having ‘minders’ hurrying her along… and she did say ‘we will meet’ again. Perhaps I was assuming too much… grasping at straws… but I had intended a trip to Llanberis... the Eiffel tower would still be there… unless it was struck by lightning. June the fourth was only a week away... So I argued — why not the ascent to the top of Snowdon first? There would be a greater incentive, wanting to be there with Dorothy.
Like life itself, one can never really recall each turning. We are a series of different selves as we take our rite of passage through each of our sea-changes... And, in a similar vein, I cannot now exactly remember how I switched directions, how I abruptly lost interest in Paris and the impossible (to me) challenge presented by the imposing Eiffel Tower, an architectural wonder of the world which I had before described floridly and (in hindsight) so inappropriately whilst there.
No, it was Mount Snowdon where I was bound. I had been there before, staying in a small Guest House in Llanberis itself, where a banner had been stretched across the street welcoming back one the town’s brave inhabitants from his stint in the Gulf War.
This time — incredibly — I was led, by the nose, as it were, to another guest house establishment (the previous one where I had stayed having become something quite different concerned with mountain rescue) — and I was quite stunned to see a nameboard above the door spelling out ‘HIRAETH’. This seemed to be a very apt name for someone’s home, even better than ‘Cartref’. But for reasons too obvious to labour, it was most remarkable that I’d been attracted hither of all places.
In the backyard, I noticed a frightened horse. It whinnied, then snickered, as I tentatively walked down the crazy-paved path towards HIRAETH and from within, there echoed the yaps of a tiny-sounding dog.
It was in the evening of June 3rd and I knew my suitcase held that all- important book. It was as if I feared not recognising Goldilocks (as I tutored myself to think of her) if I did not possess her older effigy, albeit by means of a two-dimensional photograph on the back-flap of the dust-wrapper.
I knocked. I hadn’t booked. Like before, I depended on serendipity to ease my way through life. I had travelled wide over the current Britain — on the off chance of resting my head, even at the height of summer (as now), more often than not I landed on my feet and found a comfortable billet.
The woman who answered my knocking upon the door of HIRAETH was a homely, plump Welsh woman who spoke with that delightful lilt so familiar in the Land of my Fathers. She wielded a huge rolling-pin and flour was peppered over the ample folds of her black apron. I was pleased (but not surprised) to be told that there had been a late cancellation and I was smartly shown a delightful ensuite room with a view of the mountains, a room tastefully and traditionally decorated.
After exchanging small talk and a little bit of Welsh bonding, she left me to unpack. I shivered. For the first time since arriving in Wales I felt apprehensive. Goldilock’s minders etched against the rearing horizon as they trooped up a distant mountain flank. It was only imagination, I hoped. More suitable for my dreams-to-come than waking reality.
The years since I left Australia seemed but a passing phase. Idly following my nose (rather than being led by it), I had achieved little, except visiting parts of the old country I had not had the opportunity to experience before I was whisked to a world away by my ambitious father. I had been ready to return to Australia until the day I saw Dorothy’s photographs in that London book store. Why was I pursuing the notion of meeting her on a one-to-one basis? Curiosity, I supposed, intrigued by the feeling all was not well... Why had she taken the trouble to leave a message in Welsh? A message obviously intended for me. She would have surmised I would turn to the book’s jacket notes, the most natural thing for an old acquaintance to do.
I strolled about the village of Llanberis, re-acquainting myself with the bar of the inn near the rail terminus, after checking the times of train departures for the main summit among the five peaks rearing skywards from the village.
“Dinner is at half past seven,” Mrs Morgan’s informed me as I left the guest house. “A lovely bit of Welsh lamb specially for you,” she added, her button-nosed face wreathed in smiles.
I was ready for dinner long before that time, impatient for the dinner gong to ring out, as I sat in the small but comfortable lounge at ‘Hiraeth’, a name appropriate, as I could smell the dinner being cooked, reminding me of the days when I was a young man. I whiled away the time by reading ‘Once upon a harvest time’, laying the book closed upon the low table at my side as Mrs Morgans entered to inform me that dinner would be right on time.
“Oh... I see you reading that book… written near here it was... I wonder how Mrs Rees-Powell is coping, waiting until the men who killed her husband are captured?” She spoke English with quaint deliberation, it being her second language.
“Mrs Rees-Powell?” I queried. “Who is she, what has she to do with the book?”
“Why... that is the proper name of the authoress… look you — she was the only witness to the killing of her husband... In danger, she is until they catch the men who broke into ‘Plas Bryn’... the big house on the road between here and Bettws-y-Coed...”
It began to fit! I wondered what June 4th, the very next day would bring.
The dining room was less than half full, and having commented upon it to the diminutive waitress, I was informed that most of the guests this time of year were booked for bed and breakfast. Llanberis, though a popular place as a stopover because of the terminus for the rack-railway climbing more than 3,500 feet to the five peaks of the mountain. The thought of being up there three times as high as the Eiffel tower sent a spasm of fear through me, but I was determined to set out on that train in the morning, even if I kept my eyes closed.
I set aside these negative thoughts, prepared to enjoy my food, turning my back to the window as the sun etched shadows of the mountain behind me.
Mrs Morgans had been right about the lamb; I had forgotten how delicious Welsh lamb was, compared to anywhere else in the world. I complimented her as she appeared at my elbow. As she left, she said:
“Oh, by the way, Mr James, I heard in the village, our famous writer was seen entering ‘Plas Bryn’ this afternoon, escorted by the Police she was. I wonder if she is out of danger at last... It has been a terrible time for her...”
When I retired for the night, I wondered if I would be beset by dreams. More than enough had happened to colour my sleep, I was sure — but my room at Mrs Morgans’ place possessed a restful ambience, with pastel shades and subdued ornamentation (not that such things would matter once I’d turned the lights off). In any event, I laid quietly on my back for a while, not even attempting to fall asleep. Thoughts autonomously swirled around my mind (normally a bad omen for dreams or even nightmares later in the night) and these thoughts centred around Goldilocks aka Dorothy Smith aka Dora Goldsmith aka Mrs Rees-Powell. How many more names would I eventually learn about as I traced the paths of destiny set in motion by that book signing session? Then my mind remembered the rumours of dark dealings and murder, implications of which piled up as they stemmed from Mrs Morgans’ few words before dinner. Perhaps those so called ‘minders’ I’d sensed on the tube platform, again on the tilting ferry and, yes half glimpsed this very day as they scaled a Mountain in Indian file, perhaps not ‘minders’ at all but inimical creatures, ones that were more mixed up with murder than minds...
All fading in my own mind, as I had a full-blooded dream (instead of dozing thoughts) about St Paul’s Cathedral back in London, that grimy grim city where I had renewed my contact with Goldilocks. I almost felt like a character in a book, perhaps one of her books, as I clambered up to the famous Whispering Gallery and, with my condition almost overwhelming my faculties, I spreadeagled my body against the curved wall as I painstakingly circled the inside of the great Dome — my front turned to the vast echoing auditorium below. The cathedral’s mighty organ bellowed; I could hardly discern the hooded figure within the distant plinth as it struggled with the stops. Then my eyes almost zoomed in to spot a white glare instead of a face, an insect proboscis instead of a nose, wiry feelers instead of fingers and large riding boots pummelling away at the pedals...
I woke with a start. I remembered that the organ had suddenly stopped towards the tail-end of the dream and I heard whispering as I pressed my ear to the cold gallery wall. The words were Welsh.
The morning had already broken and Mrs Morgans presented me with eggs sunnyside up, grilled kidneys, mushrooms and, surprisingly, some waffles drenched in molasses. I politely nibbled as much as I could stomach and mentioned to Mrs Morgans that today — June 4th — I was to complete an ambition of mine (a rigorous challenge for one afflicted with my condition) taking the mountain train to the summit of Snowdon. Imagine my disappointment when she announced she’d heard rumours that urgent engineering inspection was going to prevent train journeys for today.
“Ivor told me. They’re having to check the edges,” she said.
“Check the edges?” I shrugged, not bothering to query further.
“And, oh yes,” Mrs Morgans continued — as she placed a platter of rather fatty looking back-bacon in the centre of the table — “Mrs Rees-Powell the writer is making a presentation to our local war hero in front of the pub opposite this evening. Everybody’s going. They’ll welcome a stranger or two, why don’t you come with me?”
I nodded non-committally. I had already decided I was going to climb up the mountain. Even at my age, I’d heard people who had made such a climb — more an uphill walk than a climb. A long walk, yes, but I had been told, the slopes were, in the main, not too severe.
Mrs Morgans broke into my thoughts again... “Sorry I forgot the bacon, there’s plenty there, help yourself...” she said as she made to leave to attend to others.
But I was already replete, and I wasn’t partial to bacon that was not grilled to a crisp. The sight of the fatty bacon did nothing to help the queazy feeling in my stomach already churning at the thought of what I resolved to do when I left the guest-house.
With that Mrs Morgans returned to my table; she seemed to have adopted a motherly feeling for a fellow Cymro as she suggested the following:
“If you intend tackling the walk up the mountain, call in the Rescue Centre and they will check if you are properly equipped. Of course they are really more concerned with the more adventurous climbers who take the dangerous routes, but one of the men there has helped people with fear of heights. Actually he is a cousin of my late husband. He is called Glyndwr Morgan, tell him I sent you, and, by the way, a donation to their work will help, but not compulsory, mind you.”
She was a dear old soul, inclined to run on a bit perhaps, but I decided I would take her advice. But she hadn’t quite finished with her guardian-angel performance.
“You’ll find a little packed lunch for you, you’ll probably need it when you sit quietly looking at the magnificent view from the top.”
My heart turned over at how easy she made it all sound, but not enough to put off my resolve. So with my stoutest shoes on my feet and dressed sensibly, I made for the Mountain Rescue Centre, and to my polite request to speak to Mr Glyndwr Morgan, I was surprised to hear the man say:
“You’re speaking to him, people call me ‘Glyn’, and before you say anything, I know who sent you — Mrs Gwen Morgans — she is the only one who uses my full name.”
I told him of my full history and the blow that caused this stupid fear of heights. That I had already started a self-cure therapy and questioned if I was wise to tackle the obstacle of the mountain.
“I’m walking the track myself ahead of the engineers today, setting off soon, why don’t you tag along with me, chatting with someone is the best way, and I have to tell you, I was once bordering on having a phobia of your kind. You really should not try and do it all by yourself and you are most welcome to come to walk the track with me.”
I was buoyed up by his suggestion, almost looking forward to the idea. There was something about the man that inspired confidence, and I accepted his suggestion readily, at the same time asking if I could make a contribution to the Centre’s funds… and this was gladly accepted as I stuffed some paper money into the box on the desk.
When I queried how long it would take, he said it would be around tea-time when we arrived back at the centre. The weather was set fair and he envisaged no problem, and when I mentioned the evening’s presentation, he said:
“Never fear, I want to be there too. With bells on... Sergeant Jenkins is a relation of mine...”
I was beginning to think everyone in the village were related in some way or another; perhaps this chappie knew the lady I was hoping at last to meet for longer than a brief exchange of words. But would that be enough? I had other matters in front of me...
It was perhaps amazing how I could even envisage such a climb — walk — hike — trek — call it what you will — to the summit of Snowdon. Almost as if I had already met an imposssible challenge by even considering such a feat. My father, as I mentioned earlier, was a builder, a Master Builder. The Eiffel Tower and St Paul’s Cathedral lodged in my mind as symbols of his achievements ‘down under’. Humanity, in some shape or form, had constructed such wonders of the world — and my father had been a vital component in this great march of humanity. I felt that, somehow, they were his buildings...
I glanced at the imposing bulk of Snowdon against a dull-gilt sky and I imagined a structure upon which the mountain had been hung like a theatrical backdrop. God’s Structure, if not man’s — reaching downwards into a heavenly antipodes...
I smiled and placed more money into Glyn’s box. I shook his hand and he seemed to know instinctively that I did not need him for what I was about to undergo.
The breakfast still lay heavy on my stomach. But I had no real physical need to scale the mountain, I had already accomplished this feat in my head and my eyes could see clearly for the first time — as if I had been dizzy all my life — but now the giddyness had left me, I could recognise it for what it was, what it had been.
The sun now silhouetted the mountain with an unimpeachable clarity, strands of gold sliding along its flanks : A corona’s promenade.
I smiled and I prayed as I saw a golden-haired angel pushing a wheelchair towards the pub opposite Mrs Morgan’s Guest-house. A specky-faced man was seated in the wheelchair, seeming to be pedalling hard with his feet in riding boots… as if, ridiculously, he believed this action helped his minder push him along.
I closed the dust-wrapped book, with a longing. Irrationally I dreamed of a spooked horse. The harvest was over...
Yesterday was history... Tomorrow… A mystery? But somehow I knew I would reach new heights — unafraid — a hand, smaller, softer, clasped in mine...
Hiraeth and Heaven were one.
THE END.
'Only Connect' paperback collection of collaborative stories by DFL and GL:
=========================
EDIT (20/7/07) Dad found his true Hiraeth on 28/6/07. RIP. des
Archives
05/2004
06/2004
07/2004
08/2004
09/2004
10/2004
11/2004
12/2004
01/2005
02/2005
03/2005
04/2005
05/2005
06/2005
07/2005
08/2005
09/2005
10/2005
11/2005
12/2005
02/2006
03/2006
04/2006
05/2006
06/2006
07/2006
09/2006
10/2006
11/2006
12/2006
01/2007
02/2007
03/2007
04/2007
05/2007
06/2007
07/2007
08/2007
09/2007
10/2007
11/2007
12/2007
01/2008
02/2008
03/2008
04/2008
05/2008
06/2008
07/2008
08/2008
09/2008
10/2008
11/2008
12/2008
01/2009
02/2009
03/2009
04/2009
05/2009
06/2009
07/2009
08/2009
09/2009
10/2009
11/2009
12/2009
01/2010
02/2010
03/2010
04/2010
05/2010
06/2010
07/2010
08/2010
09/2010
10/2010
11/2010
12/2010
01/2011
02/2011
03/2011
04/2011
05/2011
06/2011
07/2011
08/2011
09/2011
10/2011
11/2011
12/2011
01/2012
