Wednesday, January 01, 2020

The Far Tower: Stories for W.B. Yeats

The Far Tower: Stories for W.B. Yeats

CB2D4B4B-3BF9-4E9C-8FBB-DEBF69D8D002
Edited by Mark Valentine
Swan River Press MMXIX
887BDECE-D600-4030-8D2D-70D9AB722645
My previous reviews of Mark Valentine HERE and of Swan River Press HERE
Stories by Ron Weighell, D.P. Watt, Rosanne Rabinowitz, Catriona Lally, John Howard, Timothy J. Jarvis, Derek John, Lynda E. Rucker, Reggie Oliver, Nina Antonia.
When I read this book, my thoughts will appear in the comment stream below…

12 thoughts on “The Far Tower: Stories for W.B. Yeats

  1. BFCEB08F-BBCA-48F5-AEF5-152B0C8D3DB1UNDER THE FRENZY OF THE FOURTEENTH MOON
    by Ron Weighell
    “Even a Palladian mansion and the library of my dreams, I concluded, wouldn’t compensate for facing every day with those in your mouth.”
    A Yeats student has the chance of obtaining unpublished Yeats material, and meets a man with bad teeth who keeps it in that mansion’s library. Via this catalyst and that of a flat stone found by a thorn, there evolve dreams, later realities, of sporadic erotic contact with a beautiful woman in entrancing scenarios. Blake’s Los mentioned, inter alios. Resplendent but odd. I’m even in it somewhere, as an old man shambling along. Gyres of cosmic time and a code-wheel installation, too. And other Yeatsiana. Growing on me.
    My previous reviews of this author: https://dflewisreviews.wordpress.com/peter-bell-ron-weighell/
  2. C3343ACA-40CE-4F1D-8E4C-FBA2BC784002
    DAEMON EST DEUS INVERSUS by D.P. Watt
    You must not lose faith in humanity. So spake the Illuminati in this Golden Dawn here represented by a stylised parable where a man as sneak thief returns his ill gotten gains to the ‘victim’ amid visionary experiences that I just hinted about, in a dynasty thread from Easter 1916 to Goose Green 1982 and then back to Mons… I sense that D.P. Watt himself is this rough diamond’s guardian angel, filling the man with an authorial effulgence of fiction whereby the man would have otherwise stayed in his gutter garage with the previous story’s bad teeth and without such golden experiences that Watt electrified in him. Endowing the city with Machen’s Fragment of Life as well as with the yeast of Yeats. DH Lawrence’s balanced stars, too.
    My previous reviews of this author: https://dflewisreviews.wordpress.com/d-p-watt/
  3. THE SHIFTINGS by Rosanne Rabinowitz
    “Imagine . . . a boundless lattice of worlds.”
    This turned out, being serendipitously read by me today, a real Christmas Day treat. Dare I say, even in its already great surrounding canon, this is this author’s classic story … until she writes another one. I was particularly taken with this author named Ethel, now 80, her automatic-writing contact with WBY, from her Song of Songs of roses, a feisty woman of the Left, brilliantly conveyed as fallible, as she reviews her mixed feelings of a relationship with WBY. Was he a charlatan, I ask? Ethel a woman, now a lost author, once potentially prominent author, now researched by young Lucy. “The supernatural as the natural plus.” No wonder “The girl says her name in Lucy” (‘in’ sic) when she initially mentions Ethel’s lost, now forgotten novel ‘Lucifer and the Child’ as the one she had read. And the act of writing when ‘on a roll’ is perfectly expressed in this story.
    Bored of being dead.
    (I once wrote a short prose piece entitled ‘The Shiftlings’ (sic) that was chosen for the Weirdmonger book.)
    My previous reviews of this author: https://dflewisreviews.wordpress.com/3228-2/
  4. HERMITS FOR HIRE by Catriona Lally
    “He was seventy-two though, how could he start making stories at this age?”
    I am 72, too! And coincidentally, earlier this boxing day, before reading this agonising story of a day searching by this man for epiphany cabins like those real or metaphorical ones in Innisfree or Walden, I happened to write about Sibelius’ empty ellipsis period (pages 30-34 here) which seems highly appropriate!
    The Lally is well written and sardonically witty, giving me added Yeatsian yeast to any insight I may have when my wife next asks if I want a cuppa. Not that she watches strictly come dancing. She in fact just asked me if I want a cuppa as I wrote that (honestly!) before I drive us to a family do.
    My previous review of this author written on Christmas Day last year: https://dflewisreviews.wordpress.com/2017/12/19/the-scarlet-soul-stories-for-dorian-gray/#comment-11319
  5. EA10BF64-163A-4696-BAD9-404EBB1925ED.jpeg
    THE PROPERTY OF THE DEAD by John Howard
    “If the moon judges me, I’ll judge it back.”
    This is so delightfully disorientating, even confusing — from decontroversialised city club to Galway, amid Irish history, a father son relationship — that I am tempted to let this story’s architecture stand alone, an emblem for you to seek, one in honour of Yeats’ gyres and interpenetrating cones. The book’s eponymous tower itself.
    My previous reviews of this author: https://dflewisreviews.wordpress.com/john-howard-mark-valentine/
  6. “Though grave-diggers’ toil is long,  
    Sharp their spades, their muscle strong,  
    They but thrust their buried men  
    Back in the human mind again.”
    – W.B. Yeats
    CAST A COLD EYE by Timothy J. Jarvis
    My madly inferred gestalt of Jarvis’ theme and variations, including this book’s earlier “Daemon est Deus Inversus”, its gyres, its interpenetrating tower (here of one giant bone with scrimshaw), its gestalt created of WBY but here as if from the poet’s skull and dislocated bones, aspirationally built towards such an eventual gestalt integral skeleton tower, the poet’s skeleton created, though, by a fateful chance of each bone coming together as a gestalt by dint of separate mythic events. WBY died at 73, one year older than me, and he had this story’s title, alongside other words, on his tomb. No coincidence.
    My previous reviews of this author: https://dflewisreviews.wordpress.com/tag/timothy-j-jarvis/
  7. THE MESSIAH OF BLACKHALL PLACE by Derek John
    “The vowels especially, contain the most esoteric and formidable potencies. In certain combinations, they become words of power: elemental formulae with the ability to make and unmake the entire universe.”
    …and I have no idea how the words of this story — with a narrator who is what I take to be a séance troubleshooter in the early twentieth century — has that sort of power, but it does! It also has the inferred religio-erotic character of this author’s own classic ‘The Aesthete Hagiographer’, and I can give it no bigger compliment. Mixing, too, concepts of the Annunciation, Swedenborg, Rubens, incarnation of the spirit, the Bible’s opening with LOGOS in the flesh, the struggle towards the parthenogenetic divinity of angelhood, possibly via the incubus process, with passing references to AE, to MR James, and to Yeatsian ‘slouching’ (those knowledgeable of Yeats’ canon will know what I mean by the latter)…
    “That the greatest apotheosis must, of necessity, coexist with the greatest degradation.”
    My previous reviews of this author: https://dflewisreviews.wordpress.com/tag/derek-john/
  8. THE CRUMBLING PAGEANT by Lynda E. Rucker
    “It was the astronauts he couldn’t stop thinking about.”
    Yeats himself thought things happened in cycles. Via the ‘thin spaces’ here we have a theme and variations on the cycle of the recently expressed Dead Astronauts syndrome (as born from Yeats poem The Second Coming, cf the ‘slouching’ in the previous John story). About our latest Yeatsian cycle of climatic emergency, I guess, here artfully disguised by a sort of modern soap opera of young people today, on holiday, near the Mississippi, with their smartphones and even smarter chat. One of them, a girl called Astrid studying Yeats. With Pictionary as an occult thinktank, as well as a fascist game?
    My previous reviews of this author: https://dflewisreviews.wordpress.com/tag/lynda-e-rucker/
  9. 2D9E309A-C637-4C8C-88DE-29F7E0FCD8D7
    SHADOWY WATERS by Reggie Oliver
    “The chapel was, as I had expected, an aesthetically null brick box, as dismal inside as it was without.”
    Not Null Immortalis so much as a blend of Gull Immortalis and Nell Immortalis, and when you read this Reggie Oliver classic you will know what I mean!
    Yes, an engaging, eloquent and puckish classic, yet perhaps a little TOO puckish, satirical and undark for my taste, with its donkey sanctuary/crematorium and skits on the spiritualist or occult crowd. The Unitarian Church skit, though, seemed fair game.
    A retired man, once actor then teacher, and after his wife dies, he goes to the funeral of an old flame called Nell in a seaside resort where he once consummated a relationship with her on the beach when much younger. Now caught up in conspiracies and eccentricities concerning her will. With sly references to Yeats titles, such as second coming and shadowy waters. But I, too, like Nell, often get confused about Jung and Yeats.
    A fine meditation on the nature of nostalgia, too. A marquetry box to contrast with the brick one. And many other memorable moments, but I could have done without the melodramatic pre-finale denouement.
    My previous reviews of this author: https://dflewisreviews.wordpress.com/reggie-oliver/
  10. This book ends with a non-fiction article about WBY by Nina Antonia, entitled ‘THE HOST IN THE AIR’: YEATS AND THE SIDHE. To call it non-fiction (a phenomenon I have always eschewed reviewing at all) makes me believe even more in the gestalt WBY poetry as truth. WBY by WBY. Endless years of Yeats’ yeast. I will leave you with the thought that this entrancing book lends itself to the aspiration of gestalt real-time reviewing itself as a magical process. Something I say with a smile. A pretence or a pretension.
    end


MYSTERIUM – Andrew Condous






MYSTERIUM – Andrew Condous





6950CB09-E263-45C7-80BA-3433B4FF4733











MYSTERIUM: MASTERPIECE OF THE UNKNOWN
Mount Abraxas Press, Isolationist Publisher, Bucharest MMXIX
My previous reviews of Andrew Condous: https://dflewisreviews.wordpress.com/tag/andrew-condous/ and of this publisher: HERE
When I review this book, my thoughts will appear in the comment stream below…

16 thoughts on “MYSTERIUM – Andrew Condous”



  1. ROCK FACE OF ETERNITY
    F5056D6F-0676-437A-BC4A-2C7DD11F8FDA
    “; a village where day disintegrated at its core and night disintegrated at its edges;”
    “…when he crossed the portal of his open eyes and ventured into this world.”
    A story of village – and city (Bucharest) – and its Pareidolia and Apophenia of all the themes from 2009 that Mount Abraxas/ Ex Occidente has touched upon from outside or claustrophobically lurked within, here incredibly distilled as an arcane and ancient apotheosis of wordiness that is so utterly utterly wordy it also becomes wildly avant garde!
    I cannot convey its effect otherwise. A complex rapture.
    “At times, I would come across a book, invariably one that had come from the small publishers of the capital… […] …written with the language of dream.”

  2. BC24F1E9-72BC-4C8A-8B97-676737E5BC76
    2007 Nemonymous book
    INNOMINATE NEBULIST
    Pages 17 – 20
    “, a shadowless frozen spectre. It was he.”
    I seem now to be in Bucharest itself among various avant-gardists, in a more accessible but still satisfyingly textured wordiness, in incredible visions of a genius loci and a meeting that only happens rarely. Here it was he. If only it were me.

  3. Pages 20 – 28
    FFBF9FD2-B220-4EF0-BB9C-00C74D469826
    “I erect memorials to catastrophe and epitaphs to nothingness.”
    These pages represent my most significant reading experience as a short burst of inspiration for some while, and the amazingly external and self description of the character whom I meet in it reveals a far better gestalt real-time reviewer than I shall ever become. And the described bookshop that leads to mention of Scriabin’s Mysterium can surely only accentuate that fact.
    “You will also encounter strange patterns and traceries that will reside within these fictions and you must not dismiss or ignore these, for they will be the disguised lines of reality. […] …a mysterious, singular and unprecedented wholeness that will encompass your being.”
  4. Pingback: Muiretsym | The Des Lewis Gestalt Real-Time Reviews Edit

  5. 0CE90B95-3D6B-426B-99D2-7364AA83D756
    Arcimboldo
    PERIEGESIS
    “I sit in the dust with my back leaning against the church wall, surrounded by bouquets of rubble, waiting for his arrival.”
    A travelling from the previous scenario with followed or following personage towards a tunnel vision, or, rather, a visionary tunnel, with an exquisite version of Slawomir Wielhorski ruinenlust. This book, you know, seems, so far, rather special and worth reading first thing Christmas Day.

  6. TERRA INCOGNITA, NOVIS TERRAM
    Pages 34 – 37
    “What is most peculiar is not the lack of windows but the building’s shape, an application of a strange geometry that seemingly gives it the features of a partial fiction.”
    From the tunnel to a mansion in Bucharest (book-a-rest), one that is remarkably textual in this book and, I infer, restfully prehensile. Towards a garden that lives and breathes as if one in Dead Astronauts, and stones of various “shades of grey.” If you read these Condous passages and Dead Astronauts, you will know what I mean. Each preternaturally feeding off the other, inadvertently if simultaneously.

  7. I have had a favourite tree in my local area, a tree that I visit and photo regularly, one I have long called the Yieldingtree. Latterly, Nocturnalia. Maybe I shall now again rename it Mysterium.
    D404CEE1-D23D-455C-9B41-B2A78D04299D
    Pages 37 – 40
    “I have always found it recondite as to why trees or flora of most kinds, have a necessity to have height and depth diverging from them to every compass-point, why they must have two mouths.”
    C3343ACA-40CE-4F1D-8E4C-FBA2BC784002
    Still becoming the narrator, we follow him, and we study a tree and then the first two of five statues. This text is definitely an important one, now transcending avant-gardism with the accessibility of meticulous passion. Descriptions that are quite extraordinary but ones we can truly understand somewhere in the seat of our soul. So many quotable quotes. I have to restrict myself to only two in this section of pages.
    “A confusion of partialities that nevertheless carry an implicit wholeness.”

  8. 1D3C1C84-00BF-4733-A379-B9958C523F37
    Romanian sculpture by Paciurea. Cf my tree above.
    Pages 40 – 44
    “; it was as if an unexpected metamorphosis had taken place and the imaginer transformed into the imagined.”
    And this book transformed into Dead Astronauts, and vice versa, with neither book possibly knowing the other because they were first published at the same time. I believe that you will never forget the descriptions of these statues, five or arguably six, if you include the narrator, or 7 if you then add the tree. And many thanks for the introduction to the sculptor Dimitrie Paciurea.
    I can’t wait for the narrator to enter the mansion after viewing these statues.

  9. Pages 45 – 49
    “Not a ruin pushed by time, but something that cannot be properly experienced or seized, something that is moved through, unfelt yet absorbed. Before me is a space deformed by the unusual internal structure imposed by the external architectural skin, with each section seemingly drawn into the other, causing the furnishings and fixtures to be linked by unfamiliar distances.”
    I was not disappointed by the narrator’s entry into the mansion, a whole new ultra-textured pattern of Ligottianisms, a mannequin vision, after blending the Wielhorski ruinenlust that I mentioned above, John Howard’s Tower of Yeats that I read a few days ago here, and Tweddell’s concurrent entry into an equivalent ‘mansion’ by Leo here when seeing an unexpected trapdoor as unverified by his earlier memories. That quote I give above from the Condous is not even the best of many mind-staggering quotes I could have quoted from this section of pages!

  10. A15DE88F-FCDD-4504-9731-35D207DE0D60
    Castlelul Iulia Hasdeu
    Pages 49 – 51
    I drift ecstatically with the Hawling of “dream pulleys”, “capturing fragments”, “a cubist perspective” on conversations and debates featuring,
    perhaps significantly, Mateiu Caragiale, “eyes tunnelling me”, “artificial ghost generation”… And mascarons reminding me of this work by Mark Valentine: https://nullimmortalis.wordpress.com/2010/08/24/the-mascarons-of-the-late-empire-other-studies/ and this very Christmas period’s TV production of Dickens’ CAROL, as we delve deeper into the mansion.

  11. 3C3FD7C1-5272-4ACC-957C-3A958AC6F9DFTERATISM OF SELF
    Into a room, whence its exit is another door indistinguishable from the rest of the wall. Well, I am disturbed by the inspiration I get from exhibits like skulls or skeletons that could be sculptures or statues, and mirrors that create this teratism of self. My self. “…which motivate an urgent need to commence litigation against the gods.” And Romanian art, surrealism, avant garde, Sesto Pals, Gherasim Luca — please also see this important book by the same author: https://dflewisreviews.wordpress.com/2014/03/06/letters-from-oblivion-andrew-condous/
    And pattens of gestalt real-time-time reviewing…
    “They are encased in a mixture of time, a mix of pastness, presentness and possibilities of the future.”

  12. E39EF9E4-C21A-4CB0-91DD-4910AF6F4101TOMB OF OBLIVION
    DEFLOWERING OF MASKS
    “the architecture of voids is prevalent in Romania today”
    It is ironic that this book is, for me, a depiction of a gestalt real-time reviewer in a way so utter, it has been a revelation towards the religion that awaits us all who can enter various doors of this art of the preternatural that is literature. It is pointless my trying to impart further how this book conveys such rarefications of rarefiction. Ironically, as I find, weakening the ability to gestalt real-time review it at the same time as strengthening that ability! Like Scriabin’s Mysterium, a work-in-progress. And endless striving for an elusive gestalt. Appropriate perhaps that this is my first completed real-time review of 2020. A time to ‘revisit intentions’, as it puts it? That fracture of time. My own pretentious smile.
    “a species of oblivion that even death did not share.”