Important

The post-Nemo bios will now continue on another site, starting here with Rhys Hughes & Daniel Pearlman:
HERE

This blog will now return to my daily musings and some recent ones you may have read or want to re-read:
CLARITY OF SIGHT: HERE
THE RED BRAIN: HERE
TRANSNEMONISATION: HERE
NEMONYMOUS AGAIN: HERE
WEIRDMONGER WHEEL SELECTION: HERE
NEMONYMOUS SEVEN: HERE
GRUESOME: HERE
OLD FAMILIAR PLACES: HERE
DOES AN AUTHOR EVER KNOW: HERE
BIRD FLU: HERE
DIFFICULTY: HERE
FICTIPATHY: HERE
OBSCURANTISM / NORRELL: HERE
PUBLISHING / INTERNET PROMOTION: HERE
LADIES: HERE
RHYS HUGHES: HERE
FREE FICTION: HERE
STYLE IN FICTION: HERE
SELBICUDDERI: HERE
CHASING THE NOUMENON: HERE
PUBLICATION-ON-READING: HERE
WORDY WEIRD: HERE
NEW DFL FICTION: HERE
FREE GIFT: HERE
TAMAR YELLIN: HERE
DFL OBITUARY: HERE
SMALL PRESS: HERE
HORROR FICTION: HERE
STEFAN GRABINSKI: HERE
NON FICTION: HERE
FICTION AS MAGIC: HERE
THE NEMO: HERE
CARRYING HIS OWN SKIN: HERE
LIFE ON MARS: HERE
FOR EASTER: HERE
YELLOW PATCH ON THE WALL: HERE
THE FALLS: HERE
IRREDUCIBLES: HERE
ANONYMITY: HERE
CLASSICAL MUSIC: HERE
THE CORE MYTHOS: HERE
THE STYGIAN DREAMHOUSE: HERE
TALES AFTER DARK: HERE
TWISTED: HERE
NEMONYMOUS SIX: HERE
THE NEW MAGIC: HERE
WORLD CUP / DR WHO / BIG BROTHER: HERE
THE EGNISOMICON (1967): HERE
THE SELF-MYTHOLOGISER: HERE
MODERN ART / WORLD CUP: HERE
REVISITING THE VISITOR: HERE
MODERN ART / WORDY WEIRD HERE
THE (NEO)-OMINOUS IMAGINATION: HERE
THE MISSING VISITOR: HERE
MAGIC FICTION (CONTINUED): HERE
PROUST AND MAGIC FICTION: HERE
THE NEMOPHILE: HERE
EXTREMITY IN FICTION & PREJUDICES: HERE
MISCELLANEOUS ON THIS PAGE: HERE and HERE and HERE

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DFL's new novel THE HAWLER still starts for free: HERE

One of my favourite fiction writers, Brent Zirnheld, has just said this about it:
It's just impossible to write a review of such a unique experience. It's really the only book I've ever read that totally defies a rating on a five star scale. It's good, it's sometimes great, it's baffling, it's thought-provoking, it's infuriating, it's a bundle of emotion that leaves you thinking for quite some time afterward. It will never be published in the so-called "mainstream" press because it is so inaccessible for those who are used to linear narratives...or even experimentally non-linear narratives that wrap up by book's end. It's a gutsy performance that at times reads as though it was all made up as you went along, but then at other times feels like it has an impeccable internal logic that I was *this* close to deciphering if only I'd paid a bit more attention. In short, I enjoyed this baffling piece of work.

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At present, DFL is laboriously typing out his 1973 novel THE VISITOR: HERE


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